Adobe Premiere Pro Changelog

What's new in Adobe Premiere Pro 2024 24.3

Mar 26, 2024

Fixed issues:
Audio:
Fixed:
Enhance Speech effect didn’t always reflect the chosen mix amount after pasting it as an attribute.
Waveform amplitudes didn’t always display correctly when adjusting the Enhance Speech Mix Amount with Loudness Auto-Matching enabled.
The clip effect could be incorrect after pasting the Enhance Speech component via Paste Attributes. Sequence playback would be broken after re-opening the sequence.
With multiple instances of the same audio effect, the effect order in the Paste Attributes dialog would not match the Effect Control panel, which could result in the expected results.
Premiere Pro could hang when attempting to remix multiple clips inside a multicam sequence.
Copy and paste of a sequence would not work if the sequence contained a clip that used Remix.
Loudness Auto-Match results would be incorrect after toggling Enhance Speech off and on.
Enable Enhance Speech would not work after disabling it during playback from the Context and Clip menus.
In localized versions of Premiere Pro, the Loudness Normalization effect in Export mode was missing the Process column for multi-channel audio sources.
Enhance Speech Mix amount displayed incorrect range values in the Effects Control panel.
Captions and Transcriptions:
Fixed:
A crash could occur when opening a caption segment while the Text panel was closed.
Performance could slightly decrease when starting playback of a media file while auto-transcription was running in the background.
Clips with original media files located offline with only proxy media available could fail to transcribe.
Editing:
Fixed:
Proxies created with the default custom resolution of 1280x720 were created at half resolution instead.
Simplify sequence failed to create a new sequence.
Opening a search bin while the Project panel preview area was visible could cause a crash.
Program Monitor flickered while entering or exiting direct manipulation mode, selecting a motion filter in the Effects Control panel, or selecting a graphics track item.
Upgrading a project or production to Premiere Pro 24.x was sometimes not completed.
Export:
Fixed:
In localized versions of Premiere Pro, the Loudness Normalization effect in Export mode was missing the Process column for multi-channel audio sources.
Exporting an EXR file with the Export Frame button in the Source Monitor or Program Monitor exported more than a single frame.
Formats:
Fixed:
Some AVC Intra files were not correctly being released after use. This could cause multiple issues, including Media Encoder's watch folder feature not correctly moving files after encoding.

New in Adobe Premiere Pro 2024 24.2 (Feb 7, 2024)

Enhance Speech:
Use AI to magically remove noise and improve the quality of dialogue so it sounds like it was recorded in a professional studio.
Export directly to TikTok:
Create your posts and drafts, add captions, hashtags, and keywords, and then export them directly to TikTok without compromising quality or your ranking.
Streamlined proxy creation:
It's easier to create proxies that are exactly half or a quarter of your original frame size with new frame size selection and updated proxy presets.
New support for color fonts and emojis:
Add a burst of vibrant color fonts and expressive emojis for even more engaging videos.
New Sony BURANO camera support:
With the new Sony BURANO camera support, you can import X-OCN and XAVC-H formats and start working with the latest in camera technology.
Fixed issues:
Audio:
Fixed:
Imports of AAF files caused a crash.
Color:
Fixed:
Slider controls in the Lumetri Color panel jumped all the way to the left if a Lumetri preset was created in Premiere Pro 24.1.
Captions and Transcriptions:
Fixed:
In the Text panel, the slider for font size sometimes overlapped with the overflow menu.
Text panel dialogs would reposition themselves if the size changed.
Transcribing MXF media with an embedded caption stream would show no progress or transcript.
Multicam clips with a non-0 start time would show a 0-based start time in the Text panel transcript view.
Editing a caption segment via the return key while the playhead was positioned between two caption segments could fail to open the caption closer to the playhead.
Automatic language detection during transcription would fail on some systems.
Transcription settings could reset to the default when turning auto-transcription on and off again.
Caption segments generated from transcripts would be longer than expected and fill silent sections.
Editing:
Fixed:
Applying Scene Edit Detection to long clips would sometimes fail.
When moving the playhead off of a selected clip on the Timeline, the bounding box of that clip would still show in the Program Monitor until the clip was deselected.
After disabling a graphic track item, the text could still be selected and modified.
The special logic that enables Selection Follows Playhead when opening the Lumetri Color panel has been removed. You may enable or disable Selection Follows Playhead via the sequence menu, and it will be sticky.
Windows machines now have optimized GPU memory utilization, so Sensei features run more smoothly.
Effects:
Fixed:
On Windows computers, black patches could be observed in output with Turbulent Displace effects and hardware accelerated effects like Twirl, Basic 3D, and Corner Pin when rendered with software.
A crash would occur when selecting a third-party filter in the Effects Control panel to engage in direct manipulation.
Export:
Fixed:
Duplicating destinations in the Export window would sometimes result in enabling or disabling captions to fail.
Uploading to Vimeo could cause a crash if the internet connection was offline.
When sending jobs to Adobe Media Encoder, exported files would not get re-imported to Premiere Pro when Import Into Project was enabled.
"_1" got incorrectly appended to the exported file name for the default media file destination in Export mode.
The captions preview did not show in Export mode after changing export presets.
On Apple silicon computers, unsupported export presets for Wraptor DCP, P2 Movie, and GoPro Cineform formats were still available in Preset Manager.
Export to MP4 with metadata did not work.
Numeric text fields in the FTP destination were not adjustable when re-entering Export mode.
Formats:
Fixed:
MP4 files with audio could take a long time to import, depending on the number of audio channels present.
When a sequence's preview codec was unavailable, Premiere Pro would not default to QuickTime ProRes LT as the new preview codec.
Exports to MXF formats could result in a crash if the export location name used double-byte characters, such as Chinese, Japanese, and Korean, or extended ASCII characters, like accents and umlauts.
Titles and Graphics:
Fixed:
The Merge button wouldn't move into the overflow menu when resizing the Text panel.
Crash would occur when editing a graphics text layer.
Bezier handles on masks were invisible.
Transmit:
Fixed:
Transmit video out to Reference Monitor could fail with project software rendering.
Transmit out to a second monitor became disabled when the Project Settings Renderer option was changed.

New in Adobe Premiere Pro 2023 24.1 (Dec 5, 2023)

Filler Word Detection with bulk delete for Text-Based Editing:
Automatically identify "ums" and "uhs" in dialogue and quickly remove those filler words, pauses, or any other unwanted dialogue in one step using bulk delete.
Redesigned MOGRT management:
Motion Graphic Template management is now more intuitive making it simpler to find, view, and organize the MOGRT collections you need across multiple locations.
New sequence presets:
Get your sequence started fast with modern, updated sequence presets for HD, UHD, HDR, and social media projects. Sequence presets have also been reorganized and streamlined to put the most frequently used selections at your fingertips.
Easier access to version history and Auto Save in Team Projects:
Auto Save and version history location for Team Projects can be accessed from the Premiere Pro header bar so you always know the state of your project.
Browse Cloud locations from Import Mode:
Import media intuitively from cloud locations such as Dropbox or OneDrive, just as you would from a local disk.
Trimming and multicam improvements:
We’re listening to feedback for feature and episodic workflows to make incremental improvements to editing, trimming, and multicam, with more to come.
Fixed issues:
Audio:
Fixed:
Audio playback in the timeline could temporarily "buzz" at a loud volume.
The Clear Audio Type button was not visible after reopening the Essential Sound panel.
During automatic waveform generation, clips in the sequence were not prioritized.
Balance, Mute, and Volume audio effects placed in a custom bin in the Effects panel would disappear after re-opening the project.
Third-party audio effects in a Premiere Pro sequence would fail to render in Media Encoder when Import sequences natively is turned on.
Clip channel mapping assigned to the sequence was ignored when creating a new sequence.
A crash could occur when opening a project that contains an audio plug-in (VST, VST3, AU) that isn't installed.
Trim Edit view could fail to open reliably when Remix was applied to audio files in the sequence.
Rendering progress failed to be shown after changing the Speed/Duration of a clip to reversed playback or enabling Maintain Audio Pitch.
Color:
Fixed:
The auto-detection of log video color space could fail for some Sony media files.
Captions and Transcriptions:
Fixed:
SCC caption files would not import captions after the 12-hour mark.
Editing a caption segment via the return key could erroneously open the first caption in the sequence instead of the caption next to the Current Time Indicator (playhead).
The Text panel transcript could be replaced with error text.
Exporting a transcript would not include the item's name in the Save dialog.
Editing:
Fixed:
It was not possible to create an auto-reframed sequence from a locked sequence.
Displaying a large number of multicam clips in Freeform View could lead to application slowdown.
Enabling Duplicate Frame Markers could degrade timeline performance.
Effects:
Fixed:
A crash could occur when selecting a third-party filter in the Effects Control panel to engage in direct manipulation.
Export:
Fixed:
Source range settings were incorrect when sending export jobs directly to Media Encoder.
Formats:
Fixed:
Audio and video of some Sony XAVC media could be out of sync by a few frames.
A crash could occur when working with H.264 and HEVC media on a computer with a 14th-generation Intel Core processor.
After launch, the message "A low-level exception occurred in: lvcod64.dll (GetAVICodecs)" could appear.
DNxHR media with widths of 1440 or 960 would display only black frames on playback, and frame substitution errors would appear in the Events panel.
HEVC or H.265 files exported from an Apple silicon computer would play smoothly but would have poor performance when scrubbing.
Team Projects:
Fixed:
Some sequences in Project Templates had incorrect export locations.
The timeline was incorrectly badged when opening a Team Project.
The application would hang momentarily when converting a large project to a Team Project.
Performing a Save As in a Team Project would call the standalone project Save As dialog to appear.
Titles and Graphics:
Fixed:
Motion Graphics Template .aegraphic files were offline after moving projects between Mac and Windows.
Bounding boxes for Premiere Pro graphics were slow to update when making changes to transformations such as scale, position, rotation, and anchor point.
With RTL text, using the tab key pushed existing text to the right.
Transmit:
Fixed:
Enabling overlays to the Transmit monitor would not display video during playback.
Workspaces:
Fixed:
Source and Program Monitor button bars could flicker when resizing the Monitor panel.

New in Adobe Premiere Pro 2023 24.0 (Oct 10, 2023)

5x faster timeline drawing:
The new high-performance timeline drawing is more interactive and responsive for buttery smooth editing and trimming.
New Text-Based Editing features:
You can now delete all pauses with a single click, work with multi-channel audio files, and get more control over your transcript view.
Color Settings:
Color Settings consolidates many color selections into a single tab so you can quickly and easily make changes and view the result.
Audio Auto-Tagging:
Automatically tag audio files as Dialogue, Music, SFX, or Ambience to reveal controls in the Essential Sound panel to give you immediate access to the most relevant tools to create professional sound.
Effects Manager:
Quickly identify, troubleshoot, and disable incompatible plug-ins to improve system stability so you can get back to work faster.
Project templates for fast setup:
Save projects as templates so you can get started with bins, sequences, or assets already organized.
Restore projects through Recovery mode:
You can now easily recover and restore the last saved state of your open projects in case Premiere Pro quits unexpectedly.
Retain custom destinations in Export mode:
You can add, edit, and keep a single set of custom destinations in Export mode for all clips and sequences in any project.
Audio:
Fixed:
When applying Reverse Speed, audio waveforms would not reflect the reversed audio.
After moving the audio to a different track, deleting the original track could introduce distortion when playing the audio in the timeline.
A crash could occur if the Audio Clip Mixer is part of the workspace and the Program Monitor is in Comparison View.
Rendering progress failed to be shown after changing the speed or duration of a clip and enabling "Maintain Audio Pitch."
Captions:
Fixed:
Creating a custom caption preset could erroneously switch to single lines even though double lines were selected in preferences.
After moving a caption segment between caption tracks, the captions would display on both tracks until closing and re-opening the project.
Editing:
Fixed:
A crash could occur on a Windows machine when a Multicam sequence was opened in the Source Monitor, and the window size was readjusted.
Under certain conditions, the Program Monitor would not show angles when the viewer was set to a Multi-Camera view.
The Project panel was selected after dragging media from the Media Browser to the Timeline. After dragging media from the Media Browser, the Timeline is now the selected panel.
Using the Slip Tool could cause the timeline to auto-scroll.
Files could not be dragged into a bin when working with an undocked Project panel.
When entering the Comparison View with a text block highlighted, the spacebar would not work to start playback until changing focus to the sequence.
Effects:
Fixed:
A crash could occur when disabling the Toggle Looping Audio Playback option in the Effects Control panel with a loop play in progress.
The Sequence Settings dialog could incorrectly display custom pixel aspect ratios as square pixels.
After upgrading captions to graphics, keyframes on Effect presets would not scale.
Export:
Fixed:
Publishing to X (formerly Twitter) failed.
Formats:
Fixed:
Flickering was observed when playing ProRes RAW on an Intel Arc Series.
Premiere Pro and Media Encoder could crash when playing or rendering Cinema DNG files on macs running macOS Ventura.
Markers:
Fixed:
The Markers panel would not populate in certain situations when working in a Production.
Incorrect clip markers were shown in the Markers panel with two or more clips selected in the sequence.
Team Projects :
Fixed:
When collaborating in a Team Project, clips that contain a transcript could erroneously be marked as edited after updating to a sequence change.

New in Adobe Premiere Pro 2023 23.6 (Aug 9, 2023)

Beautiful ARRIRAW in every sequence:
Optimize your workflow with ARRIRAW, which is more flexible than ever with improved color management and new settings, so your footage looks great in every sequence.
Real-time playback and format support:
All year long, we’ve been making ARRIRAW blazing fast with hardware acceleration and improved format support.
Audio:
Fixed:
Keyboard shortcuts could fail to reopen the Audio Mixer panel.
Scrolling on top of the Audio Track Mixer Automation Mode dropdown could accidentally change the automation mode.
A loud noise could occur during playback of 5.1 clips when using some third-party audio unit effects.
Captions:
Fixed:
Caption creation could get stuck when switching between different custom caption presets.
Switching between caption export options could result in a crash.
Editing:
Fixed:
Scene Edit Detection should not be available with only a transition selected in the timeline.
Effects:
Fixed:
In the Lumetri Color panel, all the properties did not gray out when the HSL Secondary section was turned off.
A crash could occur when opening the Lumetri Color panel or switching sequences with the panel opened.
Export:
Fixed:
When trying to render a Premiere Pro sequence in Media Encoder that contained AU or VST audio effects, Caption options would not be displayed, and captions would always be burned in.
Uploads to Vimeo could fail.
The name of the export effect, Name Overlay, changed to Text Overlay to indicate that options other than file name are available.
A crash could occur during export when the application language is set to Spanish.
Formats:
Fixed:
Some MXF files from the Panasonic VariCam could show half green frame on monitor or thumbnails.
Graphics:
Fixed:
Not all lines of text had correct alignment for some EBU subtitle captions with specific settings.
Productions:
Fixed:
Duplicate clips are created while performing an edit during background transcription.
In some cases, Premiere Pro would not find an associated clip in a production.
Stability and performance:
Fixed:
Freeform View could have poor performance when selecting multiple clips.
Specific custom keyboard shortcuts are reset to default.
Premiere Pro could crash on quit with transmit device attached.
Meters panel activity was not visible when the Program Monitor was in Comparison View.
Some AAF files could import with file scale data as 100%.

New in Adobe Premiere Pro 2023 23.5 (Jun 20, 2023)

Metadata & Timecode Burn-in effect:
In workflows that rely on viewing and exporting displayed clip metadata such as Frame Rate, Sound Timecode, or File Name, now you have the flexibility to view what you need, where you need it, for quick and easy reference.
Guidance for installing BRAW plugin:
If you work with Blackmagic RAW inside Premiere Pro, we’ll help you identify the plugin you need so you can get editing.
Improved timeline scrubbing and playback:
We’ve continued to make optimizations to the timeline, so dragging the playhead always feels smooth and precise.
Monitor your Team Projects save and sync status:
New controls and indicators in Premiere Pro give peace of mind that your Team Projects are safe. Choose project auto save locations and monitor their status in the header bar while you edit.
Choose Team Projects Auto Save location:
Take control of your Team Projects Auto Save files by choosing where to store and save them on your local system.
Fixed issues:
Audio:
Fixed:
Audio dropouts or missing waveforms could occur during playback of sub-clips if the timeline was zoomed in to frame level.
Clip analysis in Essential Sound panel continued after the corresponding project item had been deleted.
Reveal in Project and Reveal in Finder commands did not work for Remixed audio clips.
Export:
Fixed:
Export could hang and not complete if the combination of "Time Tuner" and "Loudness Normalization" effects were used.
Editing:
Fixed:
Scrolling the timeline could be slow or laggy.
Keyboard shortcut presets where certain commands had been set to different keys could have those commands reset to the default keys.
Select Camera keyboard shortcut would not work in Freeform View on multicam clips.
Program Monitor in Comparison View would have glitchy redraw when giving focus to the Timeline panel.
The wrong frame was sometimes displayed after changing to a different source with Trim Edit mode open.
Closing and re-opening the Program Monitor when in Comparison View could lead to playback issues.
Copying and pasting sequences into another project could create extra bins.
Exiting Trim Edit mode by selecting a different open Sequence followed by Undo can result in a display of the wrong frame in Program Monitor.
Playback stopped when switching from Program Monitor in Comparison View to the sequence timeline.
Learn Tutorial could fail to launch a second time.
Expanding the timeline vertically on a high-res monitor timeline could cause timeline performance issues.
Improvements when working in Freeform View with Transmit enabled.
Changing the Primary Audio device in Playback Preferences could prevent playback from being stopped.
"Enable Transmit" in the Program Monitor wrench menu does not reflect the "checked" state during playback.
Formats:
Fixed:
16-bpc Depth options in export settings for Apple ProRes MXF OP1a remained off even when enabled.
Canon XF-AVC Intra 4:4:4 media could be incorrectly interpreted as a legal range.
ProRes 4444 and ProRes 4444XQ media would sometimes be incorrectly identified as eligible for smart rendering.
Auto Detect Log Video Color Space did not work correctly with ProRes media from the Panasonic Lumix GH6.
Markers:
Fixed:
Unable to move to next or previous marker if Show Duplicate Frame Markers is enabled
Stability and performance:
Fixed:
Using the Close or Revert Project options while playing in Source Monitor or Program Monitor would cause a crash.
Overwrite edits between sequences in different projects could result in a crash.
Setting Program Monitor to Comparison View, then Revert the Project, would cause a crash.
Right-clicking on a clip in a sequence could cause Premiere Pro to become temporarily unresponsive.
A crash could occur if the open Team Project dialog is closed without a project being selected.
Attempting to quit Premiere Pro while the Essential Sound panel clip analysis is running could cause a crash.
Team Projects:
Fixed:
If the name of a Team Project included a forward slash, information displayed in the Kind column of the Home screen would be incorrect.
Text panel:
Fixed:
While using Text-Based Editing, edits made in transcripts could be lost when opening the project on another computer and/or relinking media.
Large projects containing a lot of long transcripts, especially in nested sequences, could cause a slowdown in opening the project.

New in Adobe Premiere Pro 2023 23.4 (May 9, 2023)

Text-Based Editing:
Text-Based Editing in Premiere Pro is a new way of editing that is as simple as copying and pasting text. Search source transcripts to find content and add clips to the Timeline. Then edit sequence transcripts to shape rough cuts.
Background Auto Save:
The new, improved auto save runs in the background without interrupting your work. Backups can be saved in increments as short as one minute.
Transcription support for Danish:
Danish speakers can now work in their own language and create transcripts for Text-Based Editing or captioning with Speech to Text.
Dashboard for background processes:
See what Premiere Pro is working on. You can now access, track, and observe all background processes in one place.
Smoother mouse scrolling and movement:
Experience smoother scrolling and mouse movements in all Premiere Pro panels with improved support for Apple trackpads and Apple Magic Mouse.
New format support:
Premiere Pro now includes support for footage shot on Sony VENICE 2 Version 2.0 and iPhone's Cinematic clips.
Audio:
Fixed:
The Essential Sound panel could become unresponsive after performing undo or redo actions.
Captions:
Fixed:
Caption Track Style isn't available after saving and selecting a segment on another caption track.
Editing:
Fixed:
Selecting Play Around from Trim Edit mode leaves Media Pending Image in the Program Monitor.
In Trim Edit mode, selecting an edit in the Program Monitor incorrectly updated the timeline to reflect the selected edit point.
Timeline Display Settings were not applied to all Sequences.
Non-supported Modify options were enabled for Timeline clips.
Edit point selection was lost in the Timeline with trim operations.
Guides and Rulers buttons in the Program Monitor would be disabled after exiting Trim Edit mode and going back to Composite Video view.
Nest a Sequence within itself.
Render preview (e.g., Render In or Render Out) did not work if the Program Monitor was set to Comparison View.
Effects:
Fixed:
When using a mask with an Effect or Transition, a black shape could appear on exported files.
Incorrect output of Warp Stabilizer effect when used on scaled clips.
Changing control parameters of the video transition did not reflect in the output after the transition was copied.
Effects menu was not accessible when right-clicking on an effects badge with the badge overlapping a transition.
Effect Controls panel zoom might not have been correct with the trim operation.
Created effect preset could display the wrong thumbnail in the Effects panel.
Formats:
Fixed:
ProRes RAW files would display a distorted image at 1/4 resolution on Apple silicon computers.
Some .mfx DNxHR HQX 12-bit files showed visible banding during playback.
Some OBS-generated ProRes files with multi-channel audio experienced audio channel dropouts during playback.
ProRes MXF files would sometimes be missing the alpha channels when imported.
Some ProRes 4444 files would have poor playback performance if they did not contain alpha.
Stability and performance:
Fixed:
Licensing issues could occur with third party plugins.
Some customers experienced a crash when no monitor was detected during playback.
Screen tearing artifacts could appear for Windows users.
Proxies from 120fps/119.88fps footage played sluggishly when proxies were toggled on.
A crash could happen on a Windows computer with an AMD GPU when maximizing and minimizing the application window.
Moving the Program Monitor between displays with different display densities could cause on-screen controls to fail.
Adjusting the zoom bar when set to minimum zoom could cause flickering in the Timeline.
A crash could occur while performing undo or redo actions after clearing the Audio Mix Type in the Essential Sound panel.
Team Projects:
Fixed:
Clearing an asset that belonged to a sequence did not generate a warning dialog.
Collaborator could delete a locked sequence by dragging it to the trashcan.
Adding markers to clips that were part of sequences could mark sequences as edited.

New in Adobe Premiere Pro 2023 23.3 (May 9, 2023)

Fixed issues:
Audio:
Fixed issues that could cause:
The center channel to be silent in 5.1 output when using the 5.1 panner in 5.1 sequence.
Prevention of loading and saving presets from functioning correctly for some VST3 plugins.
Crashes when deleting a sequence in Project panel while Remix analysis was in process.
Captions:
Fixed Speech to Text issues that could cause:
Mixing up of European and Brazilian Portuguese.
Spanish transcriptions and captions to not include “¿ “ at the beginning of questions.
Fixed caption background issues that could cause:
Caption backgrounds for broadcast formats to be displayed in the entire caption block instead of per line. It now includes Australian OP-47, CEA-608, CEA-708, EBU Subtitle, and Teletext formats. For the Subtitle format, you can now use the existing UI to choose Per Line or All Lines).
Editing:
Fixed issues that could cause:
Clip name to be offset when applying a transition in the Timeline. Offset is now only applied when the track size is small enough to cause overlap.
Button editor layouts in the Source Monitor and Program Monitor to not retain unless the project was closed before quitting the app.
“Media Pending” message showing with no progress for the playhead or video while clicking the enter key in Trim Mode.
Paste to not work properly if paste items were contained in a bin and deleted before they were pasted.
The UI to be blocked while media was relinking.
Clip markers to display intermittently in a sequence.
Effects:
Fixed an issue that could cause:
Effects preview to remain in the Effects Panel after removing the effect name in the search bar.
Export:
Fixed issues that could cause:
Following complicated dialog for exporting video with captions. To export with captions, enable the option in the Captions section in Export mode.
Slow rendering and exports for Motion Graphics templates without Media Replacement using high-resolution stills.
Exporting ProResHQ/4444 to create banding on Mac.
"Enable direct export to Sony devices" to not work correctly.
Formats:
Fixed issues that could cause:
Failure to import for ARRIRAW files (.arri or.mxf) containing non-English characters in the filename or path.
Long import times for ARRIRAW files containing audio.
Glitches during playback and export of an HEVC file that had been exported from Resolve.
Banding in ProResHQ/4444 on Mac.
Import:
Fixed issues that could cause:
Premiere Pro to not maintain user-created favorites in some cases when it's closed and reopened.
Ingest mode to become disabled when switching between Edit and Import modes sometimes.
Productions:
Fixed an issue that could cause:
Trouble creating a Production while running Premiere Pro in Spanish or Portuguese.
Proxies:
Fixed issues that could cause:
Proxy media with multi-channel audios to show an incorrect number of channels online after the source media is forced offline.
Proxies from MXF files with multiple audio channels to playback incorrectly when proxies are toggled on.
Offline proxies to be marked as edited after relinking.
Text panel:
Fixed an issue that could cause:
Patchy experience when working with transcripts and captions in the Text panel.

New in Adobe Premiere Pro 2023 23.2 (Feb 17, 2023)

Automatic tone mapping:
Mix and match camera media, from Log footage to iPhone HLG and other HDR formats, while retaining consistent colors and avoiding blown-out highlights.
Sequence Locking for offline editing:
Edit a team project anywhere you need. If there’s no internet available, Premiere Pro will save your changes locally as a copy of the sequence. Check in your edits when you’re back online using the Publish button.
New language support in Speech to Text:
Newly supported languages now include Dutch, Norwegian, and Swedish to automatically generate transcripts and captions for your videos. Speech to Text in Premiere Pro is now available in 16 languages.
Reset options at launch:
Use the new reset options at launch in Premiere Pro to do regular maintenance and clean up of your system before updating to a new version of the app or to diagnose and troubleshoot app issues.
Audio:
Fixed issues that could cause:
Audio stuttering to occur after quitting and relaunching Premiere Pro multiple times.
Audio glitches at the start of an exported .wav file.
Changes to Primary Audio Device Offset preference were not saved.
"Cannot export audio effect" message when exporting AAF clip with Essential Sound panel audio categories (assigned by the user)
Remix clips moved to the start of the timeline in exported AAF.
Essential Sound panel to not update correctly after an undo or redo.
Captions:
Fixed issues that could cause:
Media Type and Captions Metadata fields of the SRT file to not display correctly.
Single-height texts from teletext or OP-47 to export as double height in a sidecar file or embedded caption.
Double-clicking on the caption segment opened the Browse tab of the Essential Graphics panel instead of showing the edit tool.
Editing:
Fixed issues that could cause:
Overlays to not be visible on clips when switching the multi-camera angle in the Program Monitor.
Overlays to not be visible when opening a project (or disappearing when switching between Program Monitor views).
Stretch to Fill was not applied when exporting through AME or Premiere Pro using GPU rendering. The exported file was still pillar boxed.
Timecode panel to display incorrectly after changing the mode of a line.
Export:
Fixed issue that caused H.264 and HEVC exports to fail when the export location name used double-byte characters, such as Chinese, Japanese, Korean, or extended ASCII characters, like accents and umlauts.
Formats:
Fixed issues that could cause:
Simultaneous import of multiple ALEXA 35 ARRIRAW files to fail.
Slow project loading and reloading for projects containing many ALEXA 35 ProRes files.
Frame.io Review panel:
Subtitles are now included when uploading an active sequence.
Fixed issues that could cause:
Unreliable auto-versioning of active sequences.
Version stacking sometimes created unusable files.
Fixes for other smaller issues and improved performance.
Graphics:
Fixed issues that could cause:
Increasing the size of the shadow effect on a text layer failed if the text layer had an inner stroke.
Essential Graphic panel controls became unusable when a motion graphics template was replaced by another template with different controls.
Effects with transform controls applied to Premiere Pro graphics could not be moved in the Essential Graphics panel.
Templates could still be replaced, even if the user had clicked “no” in the “Multiple Matching Graphics Detected” dialog.
Potential crashes when running NVIDIA GeForce Experience and Premiere Pro at the same time on Windows systems using NVIDIA drivers between version 527.43 and 528.23.
Removed Type 1 font support. More information about the change is here.
Import:
Fixed an issue that could cause ellipses (indicating a long file name) to disappear after resizing the table in Import mode.
Markers:
Fixed an issue that could prevent the user from moving to the next or previous marker via keyboard shortcuts after adding a new marker.
Productions:
Fixed an issue with closing or renaming project files when the project tile name included accented characters.
Team Projects:
Fixed issues that could cause:
Intermittent crash when publishing an update after quitting Premiere Pro.
Bin with assets to be marked as unpublished.
Autosave feature to be disabled after canceling a conflict resolution dialog.
Error when opening a team project that contained one or more After Effects comps.
CPU-only acceleration after relaunching the application.
Correctly linked team project to be removed by using the “Remove Unused” command.
Stability and performance:
Fixed issues that could cause:
Crash when gradient layer was applied on two nested sequences.
Potential crash when using the Revert command while recording.
Potential crash when switching audio devices.
Interactions in the Timeline to become less responsive over time. This can include scrubbing with the playhead, selecting clips, moving clips around, or switching between multiple open sequences.
Optimizations for improved GPU detection capability, ensuring that playback is GPU accelerated when possible.

New in Adobe Premiere Pro 2022 23.1 (Dec 7, 2022)

Upgrade captions to graphics:
Elevate your on-screen text by converting captions to graphics for greater creative control. Create stylized, animated graphics, even from captions created with Speech to Text in Premiere Pro.
Collaborative editing with Premiere Pro:
Add collaborators right from the header bar in Premiere Pro. See who’s currently working on a Team Project right now. Premiere Pro makes it easy to track and manage remote editing workflows.
Sequence Locking:
Premiere Pro shows you when someone is working on a sequence and automatically locks it to avoid conflicts or duplications. This makes it easy to handoff edits between collaborators.
Easily share changes with collaborators:
When you’re ready, use the Publish button to share your edits with your collaborators. The new Changes column in Premiere Pro shows when a sequence has been edited so collaborators can update.
Improved masking tools:
Easily mask objects by adding multiple points on a path without rotate and scale options getting in the way. Zoom in and out in the Program Monitor with the added 800% and 1600% zoom level options.
Select toggle switches on multiple tracks:
Simplify track targeting by selecting multiple tracks while holding Ctrl (Windows) or Command (macOS) to enable, disable, or reverse the state of any track header switches such as visibility and locks.
Improved support for ARRIRAW with GPU deBayering:
Gain more value from your ARRIRAW footage with expanded Source Settings and GPU deBayering for real-time highest image quality playback.
RED V-Raptor XL camera support:
Supports import of RED V-Raptor XL footage with improved Metal GPU deBayering on Apple Silicon machines and OpenCL on Windows.
Expanded XAVC HDR support:
Export XAVC in Rec. 2100 PQ HDR with support for both intra and long GOP encoding.
Fixed issues:
Captions:
Fixed an issue that could cause:
Start/end captions metadata to be displayed after transcription.
The timecode of imported SCC caption files with non-zero start timecode to display a zero start timecode value.
Captions of Japanese or Chinese SRT files in UTF16 codec to display some character strings incorrectly.
Hanging problems when double-clicking on an imported sidecar captions file in the Project panel.
Some non-drop frame SCC caption files to import as drop frame.
Some drop frame SCC caption files to import as non-drop frame.
Some Japanese SRT files to be imported with missing captions.
Markers:
Fixed issues that could:
Prevent easy editing of two markers that exist at the same location.
Prevent Go to Next Marker from working correctly for markers placed at the same location.
Prevent Clear Selected Marker from working on multi-channel audio track items.
Add a marker instead of editing an existing marker at the same location when working with multichannel audio track items.
Prevent Go to Next Marker from working correctly when a hidden marker has the same position as a visible marker.
Prevent Edit Marker from working with hidden markers.
Prevent marker lines for hidden markers from appearing in the audio waveform.
Prevent show or hide marker by color from working when only a single marker exists.
Prevent adding a different color marker to the same location as an existing hidden marker when working with multi-cam clips.
Cause the wrong marker to be deleted when using Clear Selected Marker with markers of different colors at the same location.
Cause clip markers to not be included in clip exports when Include Markers is checked.
Productions:
Removed the option in Preferences > Memory to optimize rendering for memory or performance. Other application changes have now made this option unnecessary.
Fixed issues that could cause:
A multi-cam sequence in the media project of a Production to not update correctly in the timeline project of the same production.
The Lumetri panel to open a multi-cam sequence of a Production in the timeline without opening the source project. This could lead to a duplicate timeline.
A project to be opened without the parent Production also being opened.
Projects to remain open after the parent Production is closed.
A multi-cam clip in a Production to be opened twice.
Notifications about locked projects in a Production to disappear quickly from view.
Media relinked via the import of an AAF file to play poorly.
Duplicate audio clips in a multi-cam sequence to disappear when flattened.
Media marked as offline in a Team Project from correctly appearing as offline in the Freeform View.
Export:
Improved Hot Text Control in Export mode.
Fixed issues that could:
Prevent decimal values from being accepted in the target bitrate section of the Export mode when using Match Source with H.264.
Prevent the audio channels configuration section of Export mode from correctly scrolling when exporting with 9 or more audio streams.
Audio:
Fixed an issue in the German language version of Premiere Pro that could prevent the use of Channel Configuration in Loudness Normalization.
Fixed issues that could cause:
A crash after changing parameter values in the Dialogue section of the Essential Sound panel for multiple selected clips.
A crash after changing the duration of clips in the Essential Sound panel using Remix presets.
A crash when saving and re-opening a project using keyboard shortcuts while Remix Analysis was in progress.
An audio effect could be instantiated on Audio Track 1 in the Audio Track Mixer when the track was locked in the Timeline Panel.
The Bezier curve on keyframes to not be maintained when using Clip Volume keyboard shortcuts.
Remix presets not to be applied if the clips were already remixed.
Noise in the audio track panning.
Even numbered audio channels to not export correctly.
Color:
Fixed issues of:
Crash triggered by ACE color profile initialization.
Incorrectly displaying Lumetri Scopes for Waveform YC in HDR Mode for HLG/PQ colorspace.
Causing intermittent flickers in the scopes when the playback was paused.
Formats:
Fixed Source Settings > DeNoise slider for RED R3D files.
Fixed memory management issue that could occur if switching to another application after Premiere Pro has completed creating many audios conform files in the Media Cache.
Fixed an issue where smart rendering MXF files on Windows was slower than expected.
Fixed issues that could cause:
All files from Canon cinema cameras to be imported with the clip name CLIPS001.
A crash while adjusting Color Temperature slider in the Effects Control panel for Cinema Canon Raw Light files from Canon R5 C.
Memory leak issues when importing multiple HEIC files, improving both the import and playback of HEIC files.
Memory leak issue that would happen while playing the MotionJPEG file in AVI containers
The Lens Squeeze Factor value set in ARRI cameras to be ignored when using ARRIRAW.
A crash when changing Playback Resolution when playing ProRes media.
A crash when importing certain MPEG-4 files on Mac Intel
Sony Alpha FX3 media with an embedded LUT to be imported with the wrong timecode.
A crash in Audition while importing AVCHD media.
Audio to be missing when importing AVCHD media.
A crash when exporting to XAVC Intra or XAVC LongGOP formats.
Hanging problems when playing QuickTime ProRes media.
A crash when exporting very long sequences to H.264.
Proxies from the Panasonic AG-CX10 to be imported with the wrong timecode.
Corrupt frames when smart rendering XDCAM HD files.
Hanging problems when playing or scrubbing some H.264 media.
Frame substitution errors and black video frames when editing.
A crash when using ProRes RAW files.
Graphics:
Fixed the issues:
Of Line Cap and Line Join settings to correct End Cap appearances on open Bezier shapes when upgrading a Legacy Title to Source Graphic.
Where gradient fills were changing to solid when upgrading Legacy Titles to Source Graphics.
To improve font syncing for upgraded Legacy Titles so fonts will more closely match the appearance in Legacy Titler.
Where layers were displaced when right-clicking on a graphic track item with pinning.
Of a crash when pushing appearance changes that had a different number of strokes from the style.
Team Projects:
Fixed issues that could cause:
A crash with how we package changes to be sent to the service.
Users in the same Team Project to occasionally appear to go out of sync.
Clips in a project to be marked as offline when the project was opened in a beta version of Premiere Pro.
Hanging problems when performing conflict resolution on many clips.
Performance issues when closing large projects.
An interface issue where the Publish or Update buttons would remain greyed out and disappear from the Edit > Team Projects menu.
Prevention of opening a project from the Media Browser autosave content menu item.
Prevention of the Open most recent preference from working.
Some projects to show that changes were made to unchanged items upon re-opening.
The message You made changes to this Team Project on another machine to appear incorrectly.
A crash after choosing Close All Other Projects.
Premiere Pro to hang during shutdown.
Premiere Pro to hang after accepting changes in a project.
Stability and performance:
Improved the overall reliability of AAF Export, project close operations, Freeview View, Dynamic Link, and review with Frame.io panel.
Improved behavior when migrating presets and settings from previous versions.
Improved overall display stability in areas related to file import, GPU rendering, full-screen playback, and high-dynamic range monitor support.
Fixed issues that could cause:
Selected default timeline overlay to not be visible in the Overlay Setting menu.
A crash when applying the maximum zoom to audio or video tracks then scrolling to the top of the track.
All keyframes to be hidden when double-clicking on Go to Next Keyframe button.
A crash when saving and closing a project, then reopening the project on a computer with a Wacom tablet connected.
The Simplify Sequence command to fail after editing a multi-cam sequence.
Prevention of tutorials from loading after clicking the Home Screen Learn button.
A low-level memory issue with the CUDA GPU renderer.
The buttons on the Program Monitor toolbar to occasionally not function as expected for some effects.
Effect presets containing Replicate or Alpha Glow effects that were created in Premiere Pro v22.2 or prior to not be applied on a clip.
A crash in Warp Stabilizer.

New in Adobe Premiere Pro 2022 23.0 (Oct 18, 2022)

Inner and outer strokes for graphics:
Select between inner, centered, or outer strokes for more control when adding decorative elements to graphics and text in Premiere Pro.
Flexible alignment controls:
Line up text and shape elements with one click when designing titles in the Premiere Pro Program Monitor.
Bulk edit titles on the timeline:
Select multiple title clips in the Timeline to efficiently change attributes like fonts or font size, colors, and backgrounds.
2x Faster Motion Graphics templates:
Motion Graphics templates created in After Effects now use Multi-Frame rendering for 2x faster performance.
Improved performance for AVC Intra:
10-bit AVC Intra formats are now up to 2x faster on Apple silicon, thanks to GPU acceleration.
GPU acceleration for Lumetri scopes:
GPU acceleration ensures smooth performance when working with Lumetri scopes.
Improved Previews on Windows and macOS:
Apple ProRes is now the default codec for previewing most video formats, providing better quality previews for rendered content.
AAF support for Apple silicon:
AAF support extends interoperability for Premiere Pro users working on Apple silicon Macs.
ARRI ALEXA 35 camera support:
Premiere Pro adds support for the ARRI ALEXA 35 camera, including ARRIRAW and ProRes capture formats.
Fixed issues:
Addressed a potential crash when closing multiple projects simultaneously within the Production panel.
Thumbnail rendering in Import mode is now faster and more responsive.
Lumetri scopes switch smoothly between 8-bit Rec709 and 10-bit floating point HDR media.
Improved stability when setting New Bars and Tone parameters to the max and dragging the resulting clip onto the Timeline.
Fixed crash issue with Text panel when locking a project with spellcheck open.
The Text does not dynamically update when using arrow keys with live font previews in Motion Graphics templates.
Graphics are locked in the Text panel when opening or closing other panels.
Color Picker shows incorrect values when using the Eyedropper tool in the Program Monitor.
Optimized Color Picker responsiveness when working with a Motion Graphics template with multiple layers and gradients.
Fixed memory issue on macOS systems with multitrack projects, including H.264 and HEVC
Improved performance when entering or exiting Directed Manipulation mode in the Program Monitor.
Smoother UI performance when resizing Workspaces or panels on Windows.
Fixed issue with GPU monitoring on macOS that impacted stability for some users.
Fixed issue with black frames in Program Monitor when frame hold is applied in nested sequences.

New in Adobe Premiere Pro 2022 22.6 (Aug 24, 2022)

Finer masking controls for titles:
Now you've more control when designing titles with background images or texture. Use the new Mask only Fill option to apply a mask to the fill area of text or shapes without impacting strokes or shadows.
Context menu for text and shape layers:
Get fast access to the design tools for stylizing your titles and graphics. Right-click on a text or shape layer. Choose Edit Properties to open the Essential Graphics panel, where you can customize fonts, colors, positioning, and more.
Export titles as text files :
From the Text panel, you can now export all of the titles in your sequence as text files for sharing and proofreading.
Adjustable Fades for Audio Ducking:
Auto Ducking lowers the volume of soundtrack or other background audio when there is dialog so it’s easier to hear. And now, with the new Fade Position slider, it's easier and faster to get the desired results.
More GPU-accelerated effects:
GPU acceleration means better effects performance when editing or exporting finished videos. Almost all of the effects in Premiere Pro are GPU-accelerated, and in this release, we have added two more: Unsharp Mask and Posterize Time.
Initializing GPU dialog:
On the first launch after a new installation or driver update, Premiere Pro needs to initialize the GPU. A new progress bar shows when this is happening.
Fixed issues:
Unexpected overlapping of Tool Tips in Import Mode.
Improved Tab Navigation in Import Mode.
Media Browser cannot open a sequence containing unlinked audio in Source Monitor.
Productions allowed access to Interpret footage from the sequence project without opening the project where the master clip is stored.
Export: Set Start Timecode checkbox does not enable on initial mouse click.
Copy/Paste ignores clip on locked/targeted tracks.
The shared project in Productions does not update when selecting Read-Write mode.
Missing caption segments when SRT with lines with the only period is imported.
Changing a source clip label in production can crash the application.
Mac Only: AVCHD spanned clips with AC-3 audio have audio missing.
Speech to Text incorrectly adding spaces to double-byte languages after transcription.
Flicking / flashing playback of AVC media, including Canon XF-AVC and Sony XAVC formats.

New in Adobe Premiere Pro 2022 22.5 (Jun 21, 2022)

New in Adobe Premiere Pro 2022 22.4 (May 10, 2022)

New in Adobe Premiere Pro 2022 22.3.1 (Apr 26, 2022)

New in Adobe Premiere Pro 2022 22.3 (Apr 12, 2022)

New Review workspace with Frame.io integration:
Now built into Premiere Pro and After Effects, Frame.io for Creative Cloud gives you real-time review and approval, and cloud media sharing.
Camera to Cloud:
Included with Frame.io for Creative Cloud, the new workflow lets you send camera files directly to Premiere Pro so that editing work can begin while production is happening.
Redesigned import:
The new Import mode offers a visual and intuitive way of starting video projects and collecting media. Instead of Project settings, you begin with your media. Select individual assets and click Create to bring them onto the timeline.
Redesigned export:
The new design streamlines exports by focusing on the destinations of your content, including social platforms like YouTube, Facebook, and Twitter. Premiere Pro provides recommended output settings for each. Customize your own destinations and presets for even more efficiency.
New Header bar:
Navigate more easily in Premiere Pro with Import, Edit, and Export tabs to access the main stages of your creation process. The header bar also provides quick access to Workspaces, Quick Export, and full-screen playback.
Export Preset Manager:
Use the new Preset Manager to access existing export presets, save your own custom presets, or import or export presets for sharing. Open the Preset Manager via Quick Export or in the new Export mode.
Auto Color, powered by Adobe Sensei:
Jumpstart your color correction with the power of Adobe Sensei. Auto Color applies intelligent adjustments to help you fast track your color correction and is a helpful guide to help new users become familiar with the color tools.
Speech to Text for Cantonese:
Speech to Text now includes language support for Cantonese. Speech to Text language packs are now available for captioning videos in 14 languages.
Show or hide markers by color:
Work efficiently by showing and hiding different groups of markers on your sequence. For example, if you chose different colors for different workflows, you can use checkboxes in the Markers panel to show or hide the category.
Trim mode playback looping option:
When working in Trim mode, you can now start looping playback at the playhead, rather than the closest edit point.
Remix progress indicator:
Remix intelligently retimes songs so that your music matches your videos. When you apply Remix to an audio clip, a new progress indicator shows that Remix is analyzing the clip.
Support for Sony VENICE 2 camera:
Premiere Pro now provides support for Sony VENICE 2 camera file formats.
Change text size in Text panel:
You can now increase or decrease the size of the text in the Text panel in Premiere Pro according to your reading comfort level.
Customized clip names in EDL exports:
While exporting an EDL file, you can now choose whether to show the source clip name (as shown in the Project panel) or the timeline clip name.
Fixed issues:
Improved support of RED files on M1 Macs
Improved seek and scrub performance of Google PXL
Fix playback issue with Fuji XT4 HEVC 10-bit 4:2:0
Improved stability when importing H.264 .AVI
Some DNxHD files import as audio-only
Audio intermittently drops out when recording multi-cam cuts
Improved support of some caption files that were failing to load

New in Adobe Premiere Pro 2022 22.2 (Feb 8, 2022)

New in Adobe Premiere Pro 22.1.2 (Dec 22, 2021)

New in Adobe Premiere Pro 22.1.1 (Dec 14, 2021)

Premiere Pro 22.1.1 helps you take control of titles and graphics with Search and Replace and spell-checking, a new Universal Text engine, improved shape tools, and new efficiencies for professional editing workflows. Keep your creativity moving with new hardware acceleration for ProRes and HEVC on Apple M1 systems along with other performance enhancements.
Graphics and Titles:
The Graphics and Titles workflows in Premiere Pro have multiple enhancements including an all-new universal text engine, convenient spell checking and find and replace in titles and Motion graphics, simpler text navigation, and more.
Spell check and Find and Replace:
Manage titles and graphics efficiently via the new Graphics tab in the Text panel. Use global Search and Replace to update text and titles – or just search to navigate between graphics in a sequence. Use spell check for anything with text, whether it was created in Premiere Pro or After Effects.
Universal text engine:
Premiere Pro now has a universal text engine that makes working with multiple languages in Premiere Pro and After Effects easier and faster.
Improved shape tools with polygons and rounded corners:
The shape tools in Premiere Pro have been expanded and improved, including a new polygon tool, improved controls for ellipses and rectangles, and the ability to define and apply rounded corners.
Pen tool improvements:
Draw lines with greater precision with improvements to the Pen tool in Premiere Pro. Draw straight lines including perfect 0°, 45°, 90° angles, rotate existing lines, and add control points with Bezier handles for curves, whether at custom angles or constrained to 0°, 45°, and 90°.
Upgrade Legacy Titles on opening projects:
If you open projects containing Legacy Titles, a dialog opens prompting you to update your legacy titles to modern graphics. Follow the prompts to update.
Simpler text navigation:
Editing text is easier with improvements to text selection and carat behavior.
Editing and workflow:
This release introduces improvements for professional editors, including a convenient new button for ganged playback and changes to streamline multi-cam workflows.
Gang button for Source and Program Monitors:
You can now add a new Gang button can be added to the transport controls for side-by-side playback in the Program and Source monitors. Ganged playback makes it easier to compare sequences. This is not a new capability, but the new button makes it easier to access and provides a visual indicator when ganged playback is enabled.
Choose multi-cam thumbnails:
You can now define which camera view to use as your multi-cam thumbnail in the timeline. Instead of the top track in the timeline, the new default thumbnail is the A camera and you can use keyboard shortcuts to cycle through camera views to preview them and choose new thumbnails if needed.
Use keyboard shortcuts to move poster frame:
You can now use your keyboard to batch edit footage with the move poster frame 10 frames forward or back keyboard shortcuts - for example, to show a slate or skip ahead to the action in a scene.
Faster importing and updating of captions:
Caption files now load faster and can be updated more easily. After importing a captions file, Premiere Pro scans the file in the background. Once the captions are available, you can use the new Update Captions from Source command to populate the timeline.
ProRes hardware acceleration on Apple M1 Pro/Max:
Hardware-accelerated ProRes is now up to 5x faster on new Apple silicon Macs. Playback and exports for 4K and 8K ProRes are much improved on new MacBook Pros with Apple M1 Pro and Apple M1 Max chips.
Hardware acceleration for hi-res HEVC on all Apple M1 systems:
Premiere Pro exports for high-resolution HEVC are faster with macOS 12 on M1 Macs. Hardware encoding is now enabled for DCI 4K and 8K HEVC exports, resulting in significantly faster performance.
Improved playback for Windows systems with integrated Intel GPUs:
Display technology optimizations provide improved playback on Windows systems with Intel Integrated GPUs.
Faster Color Match:
Powered by Adobe Sensei, color match is up to 30% faster - speeding up the color correction workflow in Premiere Pro.
More GPU-accelerated effects:
Newly GPU-accelerated effects include Gradient Wipe and Roughen Edge.

New in Adobe Premiere Pro CC 2021 22.0 (Oct 26, 2021)

Unified version numbers:
With this release, Adobe video and audio applications are aligned on version 22.0, making it easier for you to keep track of updates and ensure compatibility across the applications.
Speech to Text improvements:
Improved transcription accuracy for pop culture terminology and better formatting of dates and numbers.
Simplify Sequence:
Create a clean copy of the current sequence for sharing with other editors, archiving, or exporting as EDL, XML, or AAF.
Color management for H.264 and HEVC:
New color management for H.264 and HEVC formats, including 10-bit and HDR media, means that the correct color space is used in Premiere Pro when importing or exporting these formats.
Improved playback for 10-bit HEVC:
New hardware-accelerated decoding for 10-bit HEVC 422 provides improved playback and editing on Apple M1 and Intel Windows systems.
Improved playback for 10-bit H.264 on Apple M1:
New hardware-accelerated decoding for 10-bit H.264 422 provides a smoother editing experience with this format on Apple M1 computers.
Color management for Sony XAVC-L-HDR:
New color management for Sony XAVC-L-HDR footage gives broadcasters and production teams another option for working with HDR content.
New colorized Vectorscope:
Use the new Colorized Vectorscope to guide your grading. Double-click the Vectorscope to zoom in for more detail.
Improved Histogram:
Improved Histogram offers a brighter and crisper display for both Standard Dynamic Range and HDR content.
Lumetri curve refinements:
A larger window and easier selection make curve adjustments more enjoyable and more efficient.
Restore trim selection:
This convenience feature lets you restore edit points you have selected in the timeline that you may have accidentally unselected.
Improved Media Relinking for Team Projects:
Use the same media relinking workflow in Team Projects as you do in stand-alone Premiere Pro. Team Projects generates the mapping, keeping track of your local media and the shared Team Projects file.
Improved Bars and Tone:
You can now create test patterns for both HDR (High Dynamic Range) and traditional SDR (Standard Dynamic Range). The audio parameters are now combined into one consolidated dialog.
New GPU acceleration for effects:
Alpha Glow, Mirror, Reduce Interlace Flicker, and Strobe are now GPU-accelerated, offering significantly better playback performance and render faster for exports.
Fixed issues:
When selecting “Export each channel as separate file”, audio clip import fails.
Animated .gif output Quality slider (in video settings) does nothing.
Files from Polaroid Cube camera slowly drift out of sync.
Media captured using Xbox Game Bar displays with green preview artifacts.
Improved Smart Rendering Export performance.
Improved playback of certain MP4 files with multiple audio streams.
Ripple Trim shortcut will slip one frame.
Improved stability when switching workspaces.
Moving markers in the timeline with M1 Mac results in flickering in the Program Monitor.
Application hangs with control surface device and using ++Drag operation in the timeline.
Copy and paste of track volume will add a second instance in the volume effect.
The macOS (Big Sur) Moving slider tool results in preview glitches with a black frame in Source Monitor.
Resetting the button in the Loudness Meter effect can cause Premiere Pro to crash while using JKL.
Registration failure of multiple GPU filters.

New in Adobe Premiere Pro CC 2021 15.4.1 (Aug 17, 2021)

New in Adobe Premiere Pro CC 2021 15.4 (Jul 20, 2021)

Speech to Text:
The industry’s only integrated NLE solution for captioning videos, includes automated transcription, a dedicated Captions track on the Timeline, design tools for customizing captions, and a full range of export options.
Transcript editing tools:
Review and edit transcripts easily, with tools like search and replace, insert pauses, the ability to distinguish between speakers, and an option to export text files from the Transcript panel.
Generate captions automatically:
Powered by Adobe Sensei, Speech to Text transforms transcripts into caption items on the timeline, matching the pacing of your dialog. If needed, you can apply broadcast captioning presets or create your own.
Native support for Apple M1 computers:
For macOS users, everything is faster on the Apple M1 - from launch times to export, and editing is buttery smooth. Premiere Pro allows you to take advantage of the latest hardware advances.
New titling and caption styling tools:
Even more tools for stylizing text and captions, including multiple shadows for text, text background enhancements, and expanded font substitution for 28 different international alphabets.
Upgrade Legacy Titles:
Convert Legacy Titles into Source Graphics within your Premiere Pro projects. Source Graphics are displayed in the Project panel where you can track and sort them like any other project item.
Color improvements:
Tetrahedral LUT interpolation offers more precise interpretation of color information for better consistency when grading difficult footage. Now in public Beta, a new colorized Vectorscope provides more detailed image analysis for color grading.
Faster Team Projects:
Premiere Pro offers faster saving for Team Projects, thanks to a lean new project file structure. Now in public Beta, progressive project loading means you can start working faster after opening existing projects and improved media relinking makes it easier to keep local assets organized.
Label colors and clip names:
Customize label colors and clip names on the timeline with the option of limiting the change to the current sequence, or applying the change to your source media – helpful for editors working on shared Productions.
Faster Scene Edit Detection:
Thanks to new optimizations, Scene Edit Detection, powered by Adobe Sensei, is up to 2x faster on macOS and Windows, and 3X faster on Apple M1 devices
Automatic audio device switching:
Premiere Pro on Windows now detects changes and switches automatically when you swap out audio devices, such as interfaces, microphones, or headphones.
Discontinued CUDA and OpenCL support on macOS:
As macOS moves towards modern Metal-based graphics, we are discontinuing our support for CUDA and OpenCL graphics.
Fixed issues:
Clip outline (shadow trail) should be visible whenever the clip is moved in the timeline.
Improved stability when applying some audio filter effects than playing back.
Length of source clip is affected by changes in a sub-clip.
Conflicting marker data is added every time a sequence is moved to a different project.
Exported Caption text blocks locations and duration are different than original the Caption file.
Some captions files failing to import from XML files working in previous versions.
Improved performance when closing large projects.
SRT doesn't display any subtitles beyond zero duration line entry.

New in Adobe Premiere Pro CC 2021 15.2 (May 11, 2021)

New in Adobe Premiere Pro CC 2021 15.1 (Apr 14, 2021)

New in Adobe Premiere Pro CC 2021 15.0 (Mar 11, 2021)

New in Adobe Premiere Pro CC 2021 14.9 (Feb 9, 2021)

New in Adobe Premiere Pro CC 2021 14.8 (Jan 12, 2021)

New in Adobe Premiere Pro CC 2020 14.7 (Dec 8, 2020)

New in Adobe Premiere Pro CC 2020 14.6 (Nov 17, 2020)

New in Adobe Premiere Pro CC 2020 14.5 (Oct 19, 2020)

New in Adobe Premiere Pro CC 2020 14.4 (Sep 15, 2020)

New in Adobe Premiere Pro CC 2020 14.3.2 (Aug 18, 2020)

New in Adobe Premiere Pro CC 2020 14.3.1 (Jul 21, 2020)

New in Adobe Premiere Pro CC 2020 14.3 (Jun 16, 2020)

New in Adobe Premiere Pro CC 2020 14.2 (May 19, 2020)

New in Adobe Premiere Pro CC 2019 14.1 (Apr 14, 2020)

New in Adobe Premiere Pro CC 2019 14.0.4 (Mar 19, 2020)

New in Adobe Premiere Pro CC 2019 14.0.3 (Feb 26, 2020)

New in Adobe Premiere Pro CC 2019 14.0.2 (Feb 20, 2020)

New in Adobe Premiere Pro CC 2019 14.0.1 (Jan 17, 2020)

New in Adobe Premiere Pro CC 2019 14.0 (Nov 4, 2019)

New in Adobe Premiere Pro CC 2019 13.1.5 (Sep 18, 2019)

New in Adobe Premiere Pro CC 2019 13.1.3 (Jul 15, 2019)

New in Adobe Premiere Pro CC 2019 13.1.2 (May 1, 2019)

New in Adobe Premiere Pro CC 2019 13.1.1 (Apr 18, 2019)

New in Adobe Premiere Pro CC 2019 13.1 (Apr 3, 2019)

Freeform Project panel:
Visually review, organize, and storyboard your media. Assemble rough cuts and then drag them right onto your timeline for editing.
Rulers and guides:
New rulers, guides, and grids make sizing and aligning graphics and titles easier. Snap graphics to guides or each other. Color-coded guides ensure consistent positioning for lower thirds, logos, and more.
Auto Ducking for ambient sound:
Powered by Adobe Sensei, Auto Ducking for ambient sound utilizes AI technology to detect dialog or voiceover and automatically adjust background sound. Adjustments are keyframed and easy to fine-tune.
Faster mask tracking:
Speed up color grading and effects workflows with improved performance for HD, 4K and higher resolution content.
Improved titling tools:
All your titling and graphics tools are in the Essential Graphics panel, plus new options like multiple strokes, stroke styling, and background fills. Replace font families in a Motion Graphics template with one click.
Graphics enhancements:
Drag and drop multiple Motion Graphics templates into the Essential Graphics panel. Group shapes and apply masks from the Essential Graphics panel.
View menu:
A dedicated View menu consolidates Program Monitor commands, such as magnification and playback performance and new Guides.
Audio efficiency:
User-requested improvements include the ability to re-order audio effects and to copy and paste effects across clips and projects.
Performance improvements:
Improvements include new 10-bit hardware decoding for smoother HEVC playback on Windows, faster hardware decoding for H.264 and HEVC on MacOS, and RED Metal acceleration.
Frame replacement for decode errors:
Instead of replacing problem frames with red frames, they are now replaced with a copy of the adjacent frame.
Shortcut support for non-English keyboards:
Shortcuts are automatically mapped to non-English keyboards including German, Japanese, French, Chinese, Korean, Spanish, Russian, Italian, Portuguese, and Norwegian.
Image scaling options:
Choose between absolute or proportional scaling to maintain correct positioning when reframing or resizing sequences.
Expanded format support:
Import native Sony Venice V3 files and 32-bit AIFF audio media along with recently introduced support for ProRes Windows (13.0.2) and ProRes HDR (13.0.2).

New in Adobe Premiere Pro CC 2018 13.0.2 (Dec 14, 2018)

New in Adobe Premiere Pro CC 2018 13.0 (Oct 16, 2018)

Selective color grading:
Take the guess work out of curve adjustments with innovative new Lumetri Color tools for selective color correction.
Display color management:
To display accurate colors on any system, enable Display Color Management. It automatically converts colors to the color space of your display (including Rec. 709, Rec. 2020, and P3).
In the past, it was necessary to manually set your OS display profile to be sure that you were seeing accurate colors, and sometimes it was not possible. Display color management takes the guesswork and displays correct colors no matter what ICC profile your display is set to in the operating system.
Create and edit multiple Lumetri color effects:
In the Lumetri Color panel, you can now have multiple effects or layers stacked. After you create a new Lumetri color effect, you can rename it, add more layers, or subtract layers.
You can now easily select which instance of Lumetri you want to work on in the Lumetri panel. You can also add, subtract, and delete specific Lumetri instances using the same dropdown.
Edit Premiere Rush files in Premiere Pro:
Premiere Rush CC is an all-new mobile and desktop app that lets you create and publish professional-quality video, including color, audio, and motion graphics from almost anywhere. You can capture and edit footage using Premiere Rush on iOS, macOS, or Windows.
When you want to take editing to the next level, you can open native Premiere Rush projects in Premiere Pro and continue to edit them in Premiere Pro.
Intelligent audio cleanup:
Instantly improve your audio by removing background noise or reverb. The new Reduce Noise and Reduce Reverb sliders in the Essential Sound panel let you dial down, or remove, background noise and reverb. These options are also available as effects (DeNoise and DeReverb) in the Effects panel. You can apply them to your audio track and then control the intensity of the effect using the Effect Controls panel.
Edit and transform vector graphics:
Vector motion controls reduce pixelation and eliminate render bounds. To transform layers of the graphics, and adjust and set keyframes directly, use the vector motion controls in the Effects Control panel.
When you edit graphics using the vector motion controls, they are retained as vector graphics preventing pixelation.
Essential Graphics and Motion Graphics Template enhancements:
Ability to fine-tune Motion Graphics templates in Premiere Pro:
Turn numbers into stories using data-driven Motion Graphics templates:
n Premiere Pro, you can now add your own spreadsheet to a data driven After Effects Motion Graphic template (MOGRT) and drive the animation or make changes to the data in the MOGRT.
In earlier releases, you had to make a lot of tedious changes manually. For example, if you wanted to change the numbers in a chart for all months, January-December, you had to change 12 values manually. Now, if you have the data in a spreadsheet, you can simply map the spreadsheet to the MOGRT and all values are updated automatically.
Edit source text properties in Motion Graphics templates:
You can now edit source text properties in Motion Graphics templates (if they are enabled for editing by the author in After Effects)
Some of the properties you can edit are:
Font selection
Font size adjustment
Faux styles
Improved search experience of Motion Graphics templates in Adobe Stock:
You can now search and sort cinematic footage and professionally designed Motion Graphics templates more efficiently with the pagination improvements in the Essential Graphics panel.
VR enhancements:
You can create 180VR video with optimized ingest, editorial, and effects, for otoscopic and stereoscopic content that puts your audience right in the middle of the action. You can also output finished videos in the Google VR180 format for YouTube, Facebook, or other platforms.
Add spatial markers to immersive media:
You can now place spatial markers on your media while wearing your HMD (Head Mounted Display). In earlier versions of Premiere Pro, it required you to remove your headset to add markers.
New Theater mode in Adobe Immersive Environment:
Theater Mode gives you a new portable reference monitor within the Adobe Immersive Environment. This mode acts as a virtual screening room for collaborating with your director or producer, whether for 2D or immersive content, or a combination of both.
When you try to view footage with Adobe Immersive Environment (AIE) active, you now enter a virtual room with a monitor ahead of you that represents something like a home theater experience. Adobe Immersive Environment automatically switches to this "theater mode" when the Source or Program Monitor encounters traditional 2D, non-immersive footage.
Collaboration enhancements:
Group invites for Team Projects:
You can now invite collaborators to your team project using groups that are synced from your organization's directory (for enterprise users). You can also invite others to collaborate on your team project by inviting a group instead of typing individual email addresses.
Creative Cloud Libraries enhancements:
You can now:
Click drag-and-drop multiple asset types such as AI, PSD, and other file formats into the CC Libraries panel
Share your Libraries and Library assets among team members
Export your Libraries and store them with the rest of your assets upon completing a project, knowing that the Library can be restored if needed
Performance enhancements and file format support:
New file format support:
Premiere Pro now supports the following new file formats:
Decode support for ARRI Alexa LF media
Decode support for Sony Venice X-OCN V2 media including anamorphic sources
High Efficiency Image Format (HEIF) capture format used by iPhone 8 and iPhone X (macOS 10134 and later)
Updated to the latest RED SDK (RED SDK 708), which includes performance and stability improvements
Support for Australian Closed captioning standard:
Premiere Pro now supports the Australian OP4T2 closed captioning standard
Performance improvements:
Hardware-based decoding for H264 and native HEVC provides better performance for those formats and faster rendering
Improved image processing provides more responsive playback, rendering, and Lumetri Color performance
New Home Screen:
When you launch Premiere Pro, it now displays a Home Screen, which includes options to:
Open a wide range of tutorials to help you quickly learn the basic workflows, and more advanced tips and tricks.
Create a project or open an existing project.
Auto-save improvements:
A new option Auto Save also saves the current project(s) has been added to the Auto Save preferences panel. When you enable this option, Auto Save creates an archived copy of one or more current projects, but also saves the current working project. This setting is off by default.
Auto saved versions have a suffix with the date and time it was saved (yy-mm-dd-hh-mm-ss) appended to the project name (for example, ProjectName-2018-08-31_09-53-41.prproj).
When an auto save occurs, Premiere Pro creates a new backup project file and adds it to the auto-save folder as an emergency project backup. This file is always the latest saved version of that project.
Other changes:
Premiere Pro now shows a confirmation dialog if you delete preferences using the Alt or Opt keys at launch
You can now use shorthand substitutes when you enter timecode values (for example, a period instead of two zeros) You no longer have to type the zeros manually For more information, see Use shorthand substitutes while entering timecode
You can now delete clip markers on clips in the sequence without having to load them back into the Source monitor first to delete For more information, see Delete markers
You can now press the Esc key to deselect anything that is selected in the Timeline
Label colors now remain visible when video clips are selected

New in Adobe Premiere Pro CC 2018 12.1.2 (Jul 17, 2018)

This release of Premiere Pro offers improved performance with new hardware-accelerated encoding and decoding, expanded and improved format support, and bug fixes:
Hardware acceleration updates
Performance updates
New format support
8K H.264 export for VR support
Codec and preset changes
HARDWARE ACCELERATION UPDATES:
Hardware-accelerated H.264 and HEVC decoding is now supported on MacBook Pro and iMac Pro machines with Mac OS 10.13. Hardware decode acceleration is automatically selected as the default option (Preferences > Media > Enable hardware accelerated decoding) in PremierePro on Mac if the hardware supports it.
PERFORMANCE UPDATES:
Performance improvements for decoding RED Camera Formats
Performance improvements for decoding Sony RAW/X-OCN Camera Formats:
Supported formats: F5/F55/F65/Venice RAW/X-OCN
Supported Platforms: Windows and Mac
NEW FORMAT SUPPORT:
Added support for the following new formats:
Exporting 8K H.264 format
Exporting XAVC QFHD Long GOP 4:2:2 formats
Panasonic Camera Metadata
HTC Vive Pro
8K H.264 EXPORT FOR VR SUPPORT:
You can now export VR sequences at resolutions up to 8k x 8k to H.264. This allows up to 16k x 9k output that is useful for playback in Virtual Reality and future generations of TVs. In the Export Settings dialog, you can choose Profile Levels 6, 6.1, 6.2, or Unrestricted.
CODEC AND PRESET CHANGES:
Added the following video codec options for export:
XAVC QFHD Long GOP 4:2:2 100Mbps (available framerates: 23.976p/25p/29.97p)
XAVC QFHD Long GOP 4:2:2 140Mbps (available framerates: 23.976p/25p/29.97p/50p/59.94p)
XAVC QFHD Long GOP 4:2:2 200Mbps (available framerates: 23.976p/25p/29.97p/50p/59.94p)
Renamed the following existing codecs:
XAVC QFHD Long GOP renamed to XAVC QFHD Long GOP 4:2:0
Added the following new presets:
XAVC QFHD Long GOP 4:2:2 200Mbps 59.94p
XAVC QFHD Long GOP 4:2:2 140Mbps 59.94p
Renamed the following existing presets:
XAVC QFHD Long GOP 23.976p renamed to XAVC QFHD Long GOP 4:2:0 23.976p
XAVC QFHD Long GOP 25p renamed to XAVC QFHD Long GOP 4:2:0 25p
XAVC QFHD Long GOP 29.97p renamed to XAVC QFHD Long GOP 4:2:0 29.97p
XAVC QFHD Long GOP 50p renamed to XAVC QFHD Long GOP 4:2:0 50p
XAVC QFHD Long GOP 59.94p renamed to XAVC QFHD Long GOP 4:2:0 59.94p

New in Adobe Premiere Pro CC 2018 12.1.1 (Apr 19, 2018)

New in Adobe Premiere Pro CC 2018 12.1 (Apr 3, 2018)

Highlights:
Compare shots using Comparison View
Color enhancements
Auto-duck music
Graphic enhancements
VR enhancements
Enhanced support for Team Projects
Improved Timecode panel
Video Limiter
Copy and paste sequence markers
Hardware acceleration
File format support
On-boarding help in Premiere Pro
User voice community for Premiere Pro
Stability:
Crash while toggling RED Camera Orientation checkbox for attached source footage file
(Mac only) Crash in Opencl_runtime
Launching Premiere projects with certain VST3's Audio plugin leads to crash on startup
Crash caused by Metadata cache database when opening project
Premiere Pro crashes when track items are deleted and previewed in HMD
Crash when relinking file if Media Browser is in Thumbnail view
Premiere Pro crashes while importing ALE files
Auto Save for Project on unmounted drive results in multiple unknown error dialogs and may crash
(Mac only) Occasional crash with Media Browser when unmounting an image (and possibly a disk)
PProHeadless crashes at first launch
Double clicking a timeline in the project panel opens up a timeline panel with no contents. This issue sometimes causes Premiere Pro to crash
Crash when playing some files at 1/2 resolution
Changing to Metal Rendering when Lumetri Scopes are open can cause Premiere Pro to crash
Loudness radar causes non-reponsiveness with AJA io4k hardware
Corrupted VOB clip causes Premiere Pro to crash on import
Using Basic 3D effect with OpenCL/Metal can cause the operating system to freeze
Playback and performance:
All frames are dropped on playback of an HEVC clip when playback is set to less than Full resolution
Opening some projects results in unexpected amount of memory allocation
Change Playback Engine does not automatically update cultist/render bar
File format support:
4K DPX sequence causes memory leak in Premiere Pro version 12.0.1
On first import after install, MXF decode error reported with particular ARRIRAW MXF file
Some mov files do not use the native libraries
XF-AVC file( YCC , Canon Log 2) does not show Full Range in Lumitri Scopes
GH5 HEVC files are not able to import or play back
XDCAM-HD is not recognized if the CUEUP.XML file is missing from the file structure
R3D source settings cannot be turned off in the master clip effect
Some R3D files are not flipped automatically
XOCN master clip colour space change from Rec709 to Slog 2 or 3 does not work
Captions:
Parsing captions while importing sample file causes file to display Media Pending message indefinitely
Changing caption parameters has no effect on exported stl file
MOV files with closed captions from Dalet import as Media Pending and do not display captions
Styling changes to captions (STL and SRT) does not update in timeline
Changing video settings for captions does not affect the font size
If you create long captions in the timeline using the New Caption option in the context menu, the Captions Block Inspector does not create a scroll bar
Imports and projects:
Editing clips between projects hangs Premiere while project is checked for duplicates
Metadata panel is active with read-only projects
Project alias does not open project in new window when using the Alt/Option+double click keyboard shortcut
Write keyframe mode is not preserved when switching projects
Multicam does not copy to another project correctly if component clip is buried in a bin
Open Project does not open closed Project panel tab
Media Browser does not update on computer 1 when you change in/outs on computer 2
Media Browser fails to display files from Studio Network Solutions network drive when mounted using AFP
Track Item label colors do not copy over to new projects
If multiple items are selected in Bin, Metadata panel only adds two entries of information
Editing and effects:
Copying a new .cube file into Lumetri Folder breaks previously set LUTs
Morph Cut only allows Center on Cut
Resize mask function using the Shift + mouse drag does not work
Toggle select track and press W has different results
Clip Timecode settings auto-reset to Alternate timecode setting
Default transition duration opens incorrect pane in Premiere Preferences
Set Default Transition Duration from the Effects flyout menu goes to the wrong Preferences dialog
Transform Anchor Point is off a pixel in the xml export
Track Matte Key effect is broken when applied above any clip with a mask
Cannot slide numbers with Wacom tablet
Interpret Footage should be enabled for merged clips so Field Order settings can be edited
Track Fader hit area is off when fader is started at the lowest setting
Relinking source footage from proxy .mov to hi-res .mxf makes sequence tracks containing referenced audio can go off-line
Scopes have serious drawing issues
Disable master clip effects does not work on bins
Alt-clicking Write Keyframes in Clip Mixer not working properly
Esc causes Source View player issues on Mac and closes player on Windows
When you add metadata to multiple selected items, the metadata does not add to last clip
Saving a copy of a project and opening that project causes the existing project tab decoration to falsely display as bin
When you save a project using Save As or Save a Copy there is a break in Filter Bin Content and Search Bin
Export and Render:
Export is truncated when using newly deployed exporter preset
Using Time Tuner on video with R.128 loudness normalization causes segmented and flickering EBU .STL sidecar file
When you export media with the same name as a previously deleted file, Premiere Pro issues a message indicating that the same file already exists in the project
Encoding error when exporting MOG files to MXF Op1a AVC-Intra 100
Low-level exception error occurs if you use the Pixel Motion Blur effect causing render failure.
Encoding error on some mp3 files
Unable to export or process Barco Escape ProRes444 with data burn to Vimeo mp4
Interoperability:
When you copy/paste clips with audio from After Effects, Premiere Pro does not copy more than first second of clips
Replace with AE Comp gives a darker composition
High sample rate audio sent to Audition comes across as the wrong sample rate
Audio:
Distortion or garbage in audio when exporting AAF files
Flattening multicam clips resets the audio to unity (zero dB)
Audio Track Mixer Latch/Touch automation modes sometimes fail and switch to Write mode overwriting automation keyframes
Noise artifacts are heard in stereo audio clips that are placed in Ambisonics sequences when Binauralized monitoring is used
Peak files are missing their extensions on Windows 10 with MXF files
Adobe Immersive Environment:
Only one of the HMD hand controllers works with Mac systems
A low-level exception occurs if you attempt to preview an audio only clip when the Adobe Immersive Environment is enabled
Mac Premiere transmit to HMD from the Source Monitor produces a garbage frame or two when the Paused Resolution and Playback Resolution are set to different values
Loud garbage plays back if you attempt to preview Ambisonics audio, that was imported as Mono 4 channel, with binauralization enabled
Changing the color of a track item fails to automatically get reflected in the HMD timebar
The name of a sequence on the HMD timebar does not get automatically updated after you make an edit to it
The HMD Timeline's Zoom bar, at fully zoomed in position, becomes very difficult to move. Attempts to move it usually result in changing the zoom scale instead of scrolling the view.
When the HMD Timebar has content three minutes or longer the Zoom control bar cannot zoom in enough
Unable to scroll the HMD Timebar view during playback
Clicking on an empty part of the HMD Timeline's Zoom bar well fails to scroll the Timeline view
The HMD Timeline's Zoom bar setting does not match the timeline display after you switch to a new clip
The HMD Timeline's Zoom bar art gets truncated when at fully zoomed in position
The hit spot for adjusting the start or end point of the Zoom bar in the HMD Timeline is too hard to access
Premiere Pro transmit to HMD is extremely slow to initiate on Mac, and sometimes it fails to work at all, after the HMD has been in Stand-by mode
Offline track items fail to appear in the HMD Timeline as red
IN and OUT markers that are set in the Source Monitor fail to appear when viewing the HMD Source Monitor Timeline
The Track Head-Mounted Display option for the Program Monitor toggles off when you switch to a different sequence
If you move the CTI right after jogging, audio previews for a couple of seconds and then stops
Extending the Jog command swipe of the hand controller beyond a 180 degrees messes up the HUD display and haptic feedback
The HMD Timebar fails to highlight the time ruler after just an IN or OUT marker has been placed
VR properties added to a clip that is already in the Source Monitor does not enable HMD viewing
Premiere Pro cannot open .mp4 files generated by JauntVR's tools
Other:
Translation and other localization fixes
Miscellaneous UI fixes

New in Adobe Premiere Pro CC 2018 12.0.1 (Jan 23, 2018)

Highlights:
Updates to Add media cache expiration policies
Variable Frame Rate (VFR) support
Toggle multi-cam in source monitor for active camera to fill screen
Support for more video footage formats
Option to keep clips vertically aligned as you move them across tracks
Improved options to solo audio track in source monitor
Ability to make existing project into a shared project alias
Preview VR360 clips on HMD
Option to match frame sets in point
Sub-sequence improvements
Performance and stability:
There is a compatibility issue with Premiere Pro and the new Intel Chipset on Windows 7.
Premiere Pro hangs occasionally when importing media into complex projects.
Documents folders that cannot be modified (lack of permissions) cause Premiere Pro to crash on launch.
Premiere Pro crashes on launch if unable to access User Documents directory.
Premiere Pro occasionally hangs during overwrite/insert edit.
Playback occasionally does not start immediately.
Low memory warning if you let a Team Project idle overnight.
Crash when clicking the + icon based on the caption created using the Add Caption context menu.
Crash when resizing the header line for Time Remapping->Speed on Effect Control panel.
If you have multiple open projects, clicking Get Started in the Welcome Screen or closing a project causes Premiere Pro to hang.
Crash when adjusting gain in audioclip mixer using a numerical input field.
Unable to scrub numeric values in the ECP or Graphics panel using a Wacom Intros Pro tablet.
Effects:
Master effects change in ECP does not reflect on clip.
The Effects Control Panel's hot text entry field for Twirl/Angle control fails to accept number of rotation entries (MAC Only).
The Scale direct manipulation control on effect masks does not work.
Morph analysis and rendered file is not preserved after closing a project.
File formats:
Red frames in QT ProRes 422 HQ files from Arri Alexa.
Windows 10 only: While spanned AVCHD import is conforming, Premiere Pro often goes into a low memory state.
Some media from Panasonic GH5 misses the first 2-3 frames.
JVC MPEG (H.264) File thumbnail and playback issues: Only 1/4 portion of the image is visible when resolution is set to 1/2 or smaller.
Exporting to DNxHR/DNxHD with alpha incorrectly premultiplies the alpha and is interpreted as straight alpha on reimport.
DJI X5R - Darkened image for Cinema DNG.
Editing experience:
Unable to copy/paste sequence between open projects.
Unbounded marker count growth with projects that have Write Clip Markers to XMP.
Copying and pasting a composition from After Effects to Premiere Pro places the master clips in a recovered clips bin.
Hot text scrub wraps clip instead of stopping at start or end.
Teletext captions from previous versions open blank.
Clip returns the name of the first footage item in the project, not the name of the clip open in the Source Monitor.
Creating a sequence inside a bin results in the sequence showing up at the root level.
There are black frames on some nested clips in timeline.
Default Editing workspace changed that Timeline panel width is minimized and Project panel is closed when creating new project second time.
When Overlay is configured to show numbers or text on the right side of the Program Monitor, the Transmit display shows them in the center instead.
Ambience Loudness Automatch failure in the Essential Sound Panel
Video does not play back for a few seconds when recording voice over.
Some older projects fail to convert.
Shared Projects:
Project settings project drop-down does not gray out projects that are set to read-only.
Markers are appearing on other projects when preference is turned off.
Markers are not showing up during match framing.
Opening recent project B that had its project panel closed while project A was left open, opens another project A panel.
In multiple open projects, the additional projects have a squished/rectangular Label Color in List View, because of a smaller column.
Action and title safe areas do not update in Program Monitor when switching projects.
Selecting alternate project in Project Settings dialog does not switch to the correct Capture format.
Clearing the History Panel only clears the steps made for the first open project.
Ghost Timeline appears after deleting all assets from Project Panel.
Set poster frame context menu command is still available with read only projects.
Adobe Immersive Environment:
Switching GPU modes for playback and rendering between Open CL and Metal causes the Head Mounted Display (HMD) timeline view to not display track items and the handheld controls to fail to initiate previewing.
Shuttle and Jog get stuck if the side button is pressed.
Turning off the controller leaves the decals and lasers in place.
Values jump to zero when you touch a control for the first time.
AAF workflows:
Insufficient footage during AAF breakout-to-mono if transition is sample-aligned.
Invalid reuse in AAF breakout-to-mono Trim mode when clips have transitions.
Distortion/Garbage audio when exporting AAF from Premiere Pro.
AAF exported to Media Composer has slightly incorrect media timecode.
Other fixes and changes:
When Master Clip Source settings are copied from one clip to another, the file does not properly update.
Gradient Wipe transition graphic is not found.
The .mxf media format generates wrong peakfile name (.mxf instead of .pek).
Track matte key breaks when there is an effect with mask (GPU only).
Embedded 708 captions decode differently in Source Monitor and Program Monitor.
XML round-tripping duplicates video files.
Import or Media Browser opening of .json files is allowed and results in Media Pending and assert.
Lumetri Color Panel UI elements overlap each other in the French version of Premiere Pro.
708 captions on .MCC file import into Premiere with many truncated lines and incorrect placement
Drawing of letters in captions are now centered.
Caption metadata UI is now hidden in Captions tab unless Export Sidecar File is enabled and format is set to .STL.

New in Adobe Premiere Pro CC 2018 12.0.0 (Oct 19, 2017)

Work on multiple projects at the same time:
Open, access, and work on multiple projects simultaneously. Jump between episodes or scenes organized as separate projects, edit and copy portions of one project into another, and more.
See how it works ›
Shared Projects with locking feature:
Teams in the same facility can access a single project simultaneously. Managed access allows users to lock projects when they are actively editing and give read-only access to other users.
Responsive Design — Time:
Preserve the integrity of keyframes in motion graphics such as intro and outro animations when making changes to the overall duration.
Responsive Design — Position:
Pinned graphic layers automatically adapt to changes in ratio or positioning in other layers or to the video frame itself.
Motion Graphics templates available in Adobe Stock:
Get professionally-created templates for titles, lower thirds, bumpers, and closing credits without leaving Premiere Pro. Search Adobe Stock in the Libraries panel right in the app.
Adobe Immersive Environment:
Edit immersive VR the way it’s viewed — wearing a VR head-mount. Review, shuttle playback, and change orientation and retain ability to do keyboard-driven editing whether working in HTC Vive or Oculus Rift.
Immersive audio editing for 360/VR:
Edit 360/VR content using audio based on orientation and then export as ambisonic audio to VR-enabled platforms such as YouTube and Facebook.
Immersive effects:
Add virtual reality effects to your 360/VR videos without creating unwanted distortion at the poles or artifacts along the back seamline. Effects include VR Blur, VR Glow, VR Sharpen, VR De-noise, and VR Chromatic Aberrations to create colored fringes on video or graphics produced by uncorrected lenses.
Immersive transitions:
Add customizable transitions to your 360/VR videos without creating unwanted distortions at the poles or artifacts along the back seamline. Transitions for movement include iris wipes, Mobius zooms, spherical blurs, and gradient wipes. Stylistic transitions include random blocks, light rays, light leaks, and chroma leaks.
Immersive Video Titling and Graphics:
Instantly format graphics, text, images, or other video clips to look correct in a 360 video.
VR Rotate Sphere:
Easily adjust and rotate your 360 footage to level horizon lines, align viewpoints, and more.
Improvements to the Essential Graphics workflow:
Directly manipulate multiple graphics layers at the same time. Preview and select favorites in a font menu. And support for title rolls is now available.
New format support:
Including Sony X-OCN (RAW for Sony F55) and WAV files >4GB.
Regional Closed Caption standards:
Added support for EBU closed caption.
Support for Team Projects 1.0:
Check when auto-saves were made or easily revert to a prior auto-save. Improvements to notifications and version history help keep all team members up to date.
Enhanced getting started experience for beginners:
Get to know your way around Premiere Pro faster with a six-step tour when you first open the app.
Optimized Lumetri support for in-camera look decisions:
Access and implement ARRI Amira in-camera look decisions directly from within the Lumetri Color panel.
After Effects Motion Graphics templates without After Effects install:
Work with Motion Graphics templates created in After Effects without having to install the app.
And so much more:
Also includes: new label colors, plus the ability to close multiple gaps at once and to double click on workspace handle to reset the workspace.

New in Adobe Premiere Pro CC 2017.1.2 11.1.2 (Jun 14, 2017)

The 11.1.2 update contains important bug fixes as well as performance improvements. It also adds support for the 10 bit formats of the Panasonic GH-5. This is a critical update which is highly recommended for all users.
Stability and Performance:
Timeline and waveform redraw freezes on older mac systems with large projects
Certain clips (1000 fps) will crash if you scrub.
Crash during playback of some growing files
Audio is deleted from timeline when performing flatten multicam
Premiere hangs on quitting when using the Trim Mode source clips
Improved AVC-I export performance
Improve Dynamic Link Text Template performance
Formats and File Support:
Importing FCP XML file fails if it contains a placeholder due to some synthetic item unable to be translated.
Canon XC10 file shows garbled image when moving through clip
Certain QT file will not import
Failure to import some QuickTime reference movies
When Import MP4 video clip shot by Panasonic AG-UX180, audio is truncated at the end of clip on the timeline
AVCI files show yellow bar in timeline
Failure exporting 25fps interpreted footage
Artifacting when paused on RED R3D Helium Stills
When Importing Canon C500 RAW file recorded in Odyssey 7Q, Screen divided into two parts with color changed incorrectly
“Conversion problem” is alerted when playing FCP’s multiclip sequence
When Import long recorded MXF, Red Frame occurs and audio is lost in the timeline
If a project file from a different platform is used, proxy-generation fails Media Cache
Media Cache delete warning dialog is not modal, on Windows
Only specific cache files should be deleted for Media Cache policy
Option to Save Media Cache files next to original does not persist
Effects:
No realtime updates when modifying bezier handles or parameter line in Effect Controls panel
Lumetri: Reset color wheels affects other Lumetri instances
Effect keyframes are lost with partial Ingest
Edits to Effect Control Panel keyframe paths fail to update until you release the mouse
Black line appears through the Effect Control Panel
Effect keyframes fail to paste at the targeted point in time Captions
Ghost Caption Track Item comes back after being deleted
Importing an STL file does not allow to modify the resolution during the import
Team Projects: Editing text in captioning is not recognized as a change Audio
Audio effect parameter modifications are not properly serialized
Distortion during audio scrub
Audio effect parameter modifications are not properly serialized
Audio gain settings in Premiere get rendered to audio files
Hang on stop with no audio device (Win only)
Audio Waveform is misplaced in specific zoom levels
Audio channel settings reset after relink media
Adding an essential sound preset to a clip on the timeline will cause AME to hang when adding it to the render queue Export And Render
Unable queue export jobs to AME if Home Folder is mapped
File exported via the same export preset that it was created from will fail with error compiling movie
When multiple files are exported with the same name, they import with the duration of the first file
Exporting an AAF with a PSD file causes error and failure to play timeline in Media Composer
Rendering a timeline with default Mpeg I-Frame preview format results in media pending if sequence was changed due to clip mismatch
Publish to Behance crashes when exporting out of Premiere Pro without tags and description
General:
Remove Attributes Resets All Intrinsic Effects
Import to floating bin doesn’t go into bin
Double-click clip, in Thumbnail View, will not open in Source Monitor.
License dialog appears and disappears
Cart icon should not appear in Project section when user drag and drop licensed stock video
Graphics menu has enabled options in Onboarding Media Browser (only visible to new users from the Welcome Screen)
Source panel playhead not updated when entering timecode values
Share button does not light up when changes are done in captions panel
Premiere Pro is getting blocked by QuickHeal anti-virus
Extra material required for transitions is not transcoded for partial Ingest.
Make Subsequence does not work for Sequence opened from Media Browser
Wrong Image position during scrub and playback with 1/2 playback resolution
NDF Clip in Source Monitor sends DF value to external SDI monitor
Dropped frames of 4k60p single stream timeline when there is a gap between clips
Import Project with Image Sequence In/Out instances will often result in AME failing to encode for partial Ingest
ALE Metadata column for description is incorrect
On Win HiDPI the Events popup window is not scaled and is too small
Match Source (Rewrap) presets fail to transcode matching clips
Multicam View gets disabled after using Trim Mode
ims accelerator cause issue with duration change
Ingest Settings dialog sometimes appears after opening 11.0 Project
Submix tracks are missing their name in the Track Header

New in Adobe Premiere Pro CC 2017.1.1 11.1.1 (May 18, 2017)

New in Adobe Premiere Pro CC 2017.1 11.1.0 (Apr 20, 2017)

Essential Graphics panel:
Find all the controls you need to edit the titles, shapes, and Motion Graphics templates you create in Premiere Pro and After Effects. Plus, easily rearrange and adjust shape, text, and clip layers.
Type tool:
Create titles from scratch right inside your Program Monitor using a Type tool that's similar to the ones in Photoshop and After Effects.
Motion Graphics templates:
After Effects compositions can now be packaged as Motion Graphics templates, shared via Creative Cloud Libraries, and opened in Premiere Pro. You can then change variables like text, color, size, layout, or mood without changing the overall aesthetic, and you can also create your own templates with text, shape, and clip layers.
Essential Sound panel:
Now editors can get professional-quality sound, no expertise required. The Essential Sound panel gives you optimal audio parameters when you designate a clip as music, effects, dialogue, or ambiance.
Publish to Adobe Stock:
Earn best-in-class royalties on your videos by contributing to Adobe Stock through a Destination Publish workflow inside Premiere Pro and Adobe Media Encoder.
Improved integration with Audition:
Favorite Audition effects like Surround Reverb, Mastering, and Stereo Expander are now available in Premiere Pro. Send keyframes, audio effects, and settings from the Premiere Pro Essential Sound panel to Audition without rendering, and get full compatibility between the panels in the two apps.
Virtual reality workflow enhancements:
Output ambisonic audio for VR-enabled platforms such as YouTube and Facebook.
Next-generation hardware support:
Premiere Pro now offers native support for Microsoft Surface Dial as well as native support and customization for the MacBook Pro Touch bar.
Dynamic Link for Team Projects:
Team Projects now supports Dynamic Link between Premiere Pro and After Effects so you can skip intermediate rendering and iterate faster.
More native formats support:
New support for high dynamic range includes HLG (Hybrid LOG Gamma).
And so much more:
Also includes: Enhanced 4K 60p performance, improved support for Apple Metal, video preview of Stock footage within the Libraries panel, and more.
See full release notes at:
https://helpx.adobe.com/premiere-pro/using/whats-new.html

New in Adobe Premiere Pro CC 2017 11.0.2 (Jan 19, 2017)

BUG FIXES:
Titler and Captions:
Title Tool crashes when copy and pasting
Captions not editable after switching workspaces
Mouse Disappearing When Editing Captions
File Format Support:
Some QuickTime files fail to import
Phantom Cine files captured on cameras with new firmware import with a pink cast
Import of Canon RAW UHD clip results in severely distorted picture
Content of AVC-I export does not meet P2 AVC-Intra spec Proxy
Paste clip from After Effects, with Proxy unchecked, results in no Proxy attached in Premiere.
Quit AME during Creating Proxy Jobs progress will result in crash.
Export and Render:
Crash sometimes when exporting to AAF
Smart rendering QT AVCI to MXF AVCI
Rendering Proxies to your CC files directory will cause syncing errors regarding temp files.
Exported HDR10 clips will have a small color shift towards cyan
Crash & “Error Compiling Movie”: H.264 direct export with “maximum render quality” fails on MacBook Pro with NVIDIA GeForce GT 650M
Keyboard Shortcuts:
Unable to change the keyboard type in Keyboard Shortcuts Panel on Japanese version Windows PC.
Custom Keyboard cache auto populates keyboard shortcuts
Deleting one of more than one keyboard shortcuts assigned to the same command deletes assigned shortcuts
Media Browser:
Drag clip from Media Browser to Project panel, then adjust In/Out in Media Browser can affect clip in Project.
Drag multiple instances of clip, from Media Browser Thumbnail View to Project panel, results in only one instance of clip.
Media Browser does not show icons for browsed project items for Windows General Editing and UI
Edit in Audition is greyed out
Overlays disappearing when dragging effects over monitors
When Drag the clip on the timeline, Overlays disappear from Program monitor
Redraw issues when scrolling
UI mislabel: Lumetri Panel HSL
Cannot delete multiple instances of the same clip, or deleting one instance of a clip deletes all instance of it.
When opening an older project then closing the new one created from the old one, the lock file will remain.
Attempting to import a BinLocked project into another project will fail with a generic importer error

New in Adobe Premiere Pro CC 2017 11.0.1 (Nov 18, 2016)

New in Adobe Premiere Pro CC 2017 (Nov 3, 2016)

HIGHLIGHTS:
Easier collaboration with Team Projects (Beta):
Collaborate and share sequences and compositions in real time with Team Projects (Beta). Features like version control and conflict resolution are built right into Premiere Pro, After Effects and Prelude so teams can work better together. Available now for Creative Cloud for teams and enterprise customers.
Improved captions:
New captions features enable you to manipulate text, alter duration and location, and create open or closed captions from scratch.
Lumetri Color enhancements:
New color pickers let you make immediate selections when working with HSL secondaries. Plus, you can work with HDR10 files and get better support for color space metadata.
Accelerated Dynamic Link:
Faster performance reduces the need for intermediate rendering and delivers higher frame rates during playback.
Auto-aware VR:
Premiere Pro automatically detects whether your virtual reality video is monoscopic, stereoscopic left/right or stereoscopic over/under, and applies the appropriate settings.
Publish directly to Behance:
Publish videos directly to your Behance portfolio — no need for separate export or uploading.
Dynamic Link with Character Animator:
Eliminate intermediate rendering and speed up performance when working between Character Animator, After Effects, and Premiere Pro.
Live Text template improvements:
New file format lets you share Live Text templates between Premiere Pro and After Effects without the need for a separate After Effects license.
New Getting Started experience:
A new launch screen guides beginners through different ways of learning the app, from examining a completed video sequence and following tutorials to an optimized quick-start project template.
Typekit font sync:
No need to find missing fonts manually when working in Live Text templates now that fonts automatically sync and update from Typekit.
Audition audio effects:
New high-quality real-time audio effects give you better sounding output and improved fidelity.
Keyboard shortcut mapping:
Quickly find, adjust, and customize keyboard shortcuts using a visual map.
Easier ingest:
Stitch multiple clips from your camera together into one file for simpler file management.
Better performance:
Work faster than ever before with improved support for Apple Metal and more GPU effects, including Offset.
Import more native formats:
Premiere Pro now supports even more formats, including Native QT DNxHD/DNxHR export and RED Helium.
And so much more:
Also includes: New UI elements, global FX mute, and more.
BUG FIXES AND IMPROVEMENTS:
Proxy:
Ingest Copy could only copy reference file, which results in an offline clip and proxy failure
Create Multi-Cam Sequence command could initiate an ingest process
Search was not working reliably for proxy media
Interpret Footage changes were sometimes not correctly applied to Proxy and/or Hi-Res media
Speed/Duration, via Clip options, was disabled for clips with offline full res, but online proxy
Paste and duplicate in Project panel could initiate an ingest process
Import:
MXF media with non ASCII AS-11 metadata could lead to a crash on import
Premiere Pro could crash when turning layers on and off in dynamically linked After Effects composition
Importer errors / async timeouts for MPEG MOV files have been resolved
Certain ProRes .mov files imported as audio-only, without video
Some QuickTimes files were imported as Audio only file on a machine which does not have QT installed
Audio:
Audio channel bleed and intermittent distortion was sometimes encountered when track panning a stereo clip that had been remapped to be 2 stereo clips
Memory allocations were being ignored when conforming audio files and this could cause a crash
Flattening a switch audio multi-cam clip that had audio effects applied to the source audio could cause a crash
QuickTime growing files waveforms were sometimes constantly regenerated and never saved
Situations where audio missing warnings appeared in console and audio drop-outs were heard have been resolved
Certain cases where creating proxies would transcode to wrong number of audio channels and will auto-attach the proxy file have been resolved
Razor cutting the audio inside a multi-cam source sequence could cause the waveforms of the nested multicam clip to display incorrectly and partially disappear
Audio would sometimes be missing when rendering at 50% after rendering In to Out
Convergent Design Odyssey ProRes clips could have distorted audio.
No audio was sometimes heard on playback after applying Maintain Audio Pitch with a Speed change
At low audio card buffer settings, Playing across silent (and scrubbing) areas of audio could cause noise
Repeated audio could play instead of correct audio when using “Maintain Audio Pitch” in Speed/Duration dialog
Playback/Rendering:
Occasional stuttered playback and freezes could occur in SDI Transmit image in 720p 59.95 playback with scaled image composited
Render issues with masks/blur were sometimes encountered when using ProRes as preview files
Poor playback performance could occur with PQ encoded RGB 444 12 bit J2K MXF
Artifacts were sometimes rendered when using the “Blacks” control to adjust black areas on HEVC (H.265) media
GPU accelerated playback of H264 media on Window was slower than software only in some cases
Waveforms were sometimes drawn scrambled in MXF growing files.
Miscellaneous:
Using control surfaces to control Lumetri color wheels could freeze Premiere Pro UI entirely
Placing a Red Giant Magic Bullet effect on a clip within the timeline sometimes caused a crash
Situations where it was not possible to get out of full screen mode in Source and Program monitors after playback have been resolved

New in Adobe Premiere Pro CC 2015.4 (Aug 5, 2016)

New in Adobe Premiere Pro CC 2015.3 (Jun 21, 2016)

Delivers easy proxy media creation that allows you to switch seamlessly between original high-resolution and proxy low-resolution clips. Get your work done faster with the Premiere Pro family of apps, connected to each other and to your creative assets by Creative Cloud, providing a more streamlined way to create. Premiere Pro also now offers powerful support for VR Video workflows. Color and light have never been more important and with new enhancements to the Lumetri Color tools, creative possibilities are greatly expanded. Thanks to CreativeSync, all your creative assets — your media, looks, images, and Stock content — are available in Premiere Pro CC.
Premiere Pro Proxy Workflow:
Premiere Pro now supports proxy media creation, allowing you to easily switch between original/high-resolution and proxy/low-resolution clips. Heavy 8K, HD or HFR media can overload even the most powerful computer systems. Using lower-resolution proxies can speed up editing, while maintaining the ability to switch back to the original high resolution media for final output. With proxy creation, you can work with high-resolution media flexibly, across different devices (for example, on lightweight devices that are slower and have less storage). Switching between proxy/low-resolution and original/high-resolution files has never been easier or more fluid.
To learn more, see Premiere Pro Proxy Workflows.
Ingest Workflow:
Now you can start editing footage immediately while it’s being imported in the background. Mount the camera media and start editing right away. Once the copy is complete, Premiere Pro switches to using the copied media—allowing the camera media to be freed up for use elsewhere.
To learn more, see Ingest Workflow
VR Video Workflow:
A new VR workflow allows you to move around virtually inside spherical media using new monitor controls or by click-dragging on the video for a complete preview of the VR video playback experience. Premiere Pro export properly flags the file so VR-capable video players such as YouTube will automatically recognize it. You can also preview stereoscopic VR media by switching into anaglyph mode (requires anaglyph 3D glasses).
To learn more, see VR Workflow in Premiere Pro
New Enhancements to Lumetri Color Tools:
New enhancements to the Lumetri Color tools help you be more creative with color. For example, using HSL Secondaries, you can easily select a specific range of colors to make adjustments to. Premiere Pro also now offers color grading control surface support, which gives users finer control over the subtleties of the color grade than what can be achieved with a mouse and keyboard. Using the White Balance eyedropper feature, you can now set the white balance within the frame with a single click. You can also set the brightness of the scopes to one of three levels to make them more readable in various lighting conditions. Apply preset SpeedLooks with just one click.
Control Surface Support:
Lumetri panel grading controls can now be mapped to control surface devices (Tangent Devices - Elements/Wave/Ripple).
To learn more, see Control Surface Support.
HSL Secondaries:
A new section called HSL Secondary has been added to the Lumetri Color effect. This section provides additional color tools to isolate a color/luma key and apply a secondary color correction to it.
To learn more, see HSL Secondaries.
Lumetri Scopes Enhancements:
The Lumetri Scopes now feature improvements to 8-bit display quality, and the ability to adjust the brightness of the scopes from Normal(100%) to Bright(125%) or Dimmed(50%).
To learn more, see Enhancements with Lumetri Scopes.
New SpeedLooks Linear Look Bundle:
Premiere Pro now comes with SpeedLooks Studio Linear, a new creative look presets package. These look presets are optimized for Rec709/DSLR footage.
To learn more, see SpeedLooks Studio Linear.
Editing Enhancements:
New Keyboard Shortcuts
Notable keyboard shortcuts that have been added include:
A toggle that allows you to instantly zoom all the way in on the Timeline to view individual frames, and back out to the previous zoom level.
A new shortcut to generate peak files for audio waveforms. This feature is useful when you have the Automatic peak file generation preference disabled.
New Shortcut to Add/Remove a keyframe.
New Shortcut to Nudge keyframe in time by one frame.
New Shortcut to select the Next/Previous keyframe.
New Shortcut to Increase/Decrease keyframe value.
To learn more, see Default Keyboard Shortcuts.
Enhanced editing experience:
Multiple enhancements have been added to the editing experience in order to ensure editors can work faster and more efficiently. Range selection now auto scrolls the timeline vertically to select additional clips outside the current view. Remove specific effects using the Remove Attributes command.
To learn more, see Create and change sequences.
VFX Clip Marker Workflow:
All clip markers for a sequence can now be displayed in the markers panel. Filter clip markers in the
markers panel by color and view only those colored markers.
To learn more, see Working with Markers.
Using multiselection for field options and field dominance
Premiere Pro now allows you to apply the field dominance to multiple clips in the timeline (or project panel).
To learn more, see Using multiselection for field options and field dominance.
New Minimum Timeline Height:
You can now drag sequence video and audio tracks to a shorter timeline height, collapsing tracks not in active use in order to devote more space to others.
Improved Morph Cut Face Detection:
Premiere Pro now comes with improved Morph Cut Face Detection. Premiere can now find faces in more challenging shots, giving editors the option to use a morph cut.
Ability to remove individual effects:
Premiere Pro now allows you to select clips in a sequence that already have effects applied, and use the Remove Attributes command to remove specific effects from a range of clips.
Timeline vertical auto scroll when range selecting:
Premiere Pro’s timeline now auto-scrolls the timeline vertically to select clips beyond the current view while using the selection or lasso tool.
New open captions:
Premiere Pro features new features to allow editors to create and edit open captions. An editor can now create open captions (subtitles) directly in Premiere Pro without having to use a 3rd party plug-in to create them. This feature allows a user to select the font, color, size, and positioning of open captions on screen.
To learn more, see New Open Captions.
Performance and stability improvements:
Preimium Pro now ensures maximum performance with support for H264 GPU acceleration on Windows. Users with lightweight PCs and integrated Intel GPUs can now experience improved playback performance with H264 media due to GPU acceleration.
Fast, flexible editing workflows with broad native camera support:
Premiere Pro now offers broader native format support (including Red Weapon). You can now edit virtually any type of media and not worry about transcoding, thanks to broad native format support. This saves a lot of time and allows you to jump-start the editing process.
Expanded support in Premiere Pro’s titler for MENA languages:
The Title functionality within Premiere Pro CC now supports more languages in their native alphabets, including MENA territories: Arabic and Hebrew Users in more geographies can now incorporate titles in their native alphabets.
Enhanced Export Options:
Destination Publishing support for Twitter:
Twitter has been added to Premiere Pro’s extensive destination publishing workflow, joining other popular social media publishing options such as YouTube, Facebook and Vimeo. Now users can render and share videos directly to Twitter from Premiere Pro.
Panasonic AVC-LongG export support:
Premiere Pro has added support for the Panasonic AVC-LongG codecs (AVC-LongG6/12/25/50) in an MXF OP1a wrapper. These codecs are available under the MXF OP1a format.
AS-10 export support:
Premiere Pro now allows you to export using the AS-10 export option, which is now available in the format drop down.
FCP XML Time Remapping Support:
Premiere Pro now supports the import of Speed ramps and exporting the same to Final Cut Pro XML documents.
Direct Export to XDCAM HD Disc:
Premiere Pro now has an option to directly export to an XDCAMHD Disc. When an XDCAM HD codec is selected there will be a Sony device compatibility checkbox. Checking this will enable support for writing directly to an XDCAM HD disc.
QT XDCAM HD to MXF XDCAM HD Smart Rendering:
You can now smart render your QuickTime XDCAM HD sources in to an MXF wrapper. It’s as simple as selecting the Enable Smart Rendering checkbox of a matching MXF OP1a preset.
Note:
Premiere Pro does not support smart rendering MXF XDCAM sources to QuickTime XDCAM.
HEVC Support for 10-bit output:
Premiere Pro now offers support for HEVC 10-bit export, which is available under the Profiles setting of the HEVC Video tab. Main 10 profile permits 10-bit exports. You can also export using the Rec. 2020 color primaries when you select the Main 10 profile.
New checkbox added to remove XAVC-Intra spec limitation on duration:
A new checkbox, Sony device compatibility has been added to XAVC export settings. By default, this setting is unchecked and generates output that always matches the full duration of your source. When checked, the output will adhere to Sony specifications that may truncate the end of your file.
Match Source option for still image formats:
Match Source is now offered for all still image formats supported by AME, matching the source frame height, width, rate, field order and aspect ratio. Older presets have been removed and replaced with the new Match Source versions.
Twirl down/up state:
Twirl states are now remembered in Export Settings so they don't have to be re-adjusted to an up/down open/closed state each time.
Purchase of Stock Assets:
You can now purchase Stock assets directly from within the Premiere Pro Project area. For watermarked Stock assets, you can now see a new Shopping Cart icon in the Project area for these files, and you can now purchase Stock assets directly from the Project area by clicking on this icon. Also, if you have a watermarked Stock asset in a Sequence, you can right click the clip in the sequence to see a License option in the context menu. You can purchase a watermarked Stock asset directly from the clip in the Sequence.
Better Collaborative Workflows:
You can now share read-only CC Libraries that are locked from editing but can still be used. New assets can be automatically updated and shared instantly. This feature allows you to share read-only locked Library assets that cannot be renamed or deleted from the library. You can also set different
levels of access to a read only libraries. 'Edit only' access allows collaborators to edit, rename move or delete the contents of a library. View only access limits a collaborator to using and commenting on an asset. You can now share a public link(URL) to share library assets and this library appears in the users' library panel, so they can automatically get updates to the library in the apps that support Libraries.
Dolby Vision Metadata Preservation:
This feature allows users with Dolby Vision MXF clips to export cuts-only copies of Dolby clips to a new Dolby container, along with smart rendering of the underlying media files. If any changes are applied, the exported MXF does not retain the Dolby metadata. This is a useful way to join together or make cuts-only edits to existing Dolby Vision material.

New in Adobe Premiere Pro CC 2015.2 (Jan 28, 2016)

New in Adobe Premiere Pro CC 2015.1 (Dec 1, 2015)

New in Adobe Premiere Pro CC 2015.0.2 (Dec 1, 2015)

New in Adobe Premiere Pro CC 2015.0.1 (Dec 1, 2015)

Performance and Stability:
Heavy memory usage with Lumetri YUV Vectorscope
Improve AVCintra 100 performance
Importing many stills results in a crash
Crash when attempting to adjust a mask on a Lumetri effect
Hang when switching Lumetri Scopes to any other than Waveform
Crash on Windows if you open the Premiere preferences with invalid device settings
Premiere crashes when attempting to open a project that has an effect mask applied to the Fast Color Corrector video effect
The keyboard shortcut for legacy Source Settings was missing
Timeline panel auto-scrolls and follows mouse when no button is pressed
Timeline panel Mute buttons change state when playing/scrubbing sequence
Audio:
Audio distortion playing 5.1 clip in 5.1 track with multichannel master
Buzzing audio distortion when switching (Switch Audio) multicam cameras during playback.
Round tripping AAF results in random missing track items
Multimono clips in multichannel sequences do not play all audio channels
Audio crossfade transitions cause A/V sync offset when Round tripping FCP XML
Exporting timeline to AAF stalls near end of export
Volume set to minimum value, has no effect on channel volume
Performance issues with Multi-cam edit with 40+ audio channels.
Audio meters are lost when moving focus from trim window to timeline
Audio meters do not function when opening a project.
Audio Track Mixer and Audio Clip Mixer controls do not function after re-opening a project.
Audio Pops and clicks playing cut points in the timeline after source monitor scrub or playback
Crash when recording VO with transmit enabled and audio out is set audio device
Audio waveforms disappear in Source Monitor when a clip is opened a second time
Using “Write” mode in Audio Track Mixer automation does not record keyframes
Workflow:
Closed Captioning: MXF closed caption embedded files with AVI-I are not decoding properly / being recognized
Closed Captioning: With some files, captions will not display in the Source Monitor — captions also take a long time to load
Masks do not match the direct manipulation of the mask in the program window
Sync Settings : workspaces or keyboard shortcuts into Premiere CC 2015 that were created in CC 2014
Using Sync Settings once disables External Pref Management

New in Adobe Premiere Pro CC 2015 (Jun 16, 2015)

Find the perfect image or graphic for your project:
Save time finding, licensing and managing royalty-free stock images and graphics now that Premiere Pro CC integrates with the new Adobe Stock service. Once you save an image to your Creative Cloud Libraries, it’s immediately available for use in your videos and other creative projects.
Easily manipulate color in the Lumetri Color panel:
Adjust color and light with integrated tools that combine Adobe SpeedGrade CC and Lightroom CC technologies. Apply everything from simple color corrections to complex Lumetri Looks using easy-to-access, intuitive sliders and controls, and send projects to SpeedGrade via Direct Link if you want to refine them further.
Smooth transitions between talking-head sound bites:
Remove unsightly jump cuts between the sound bites in your talking head interviews. The Morph Cut transition uses face tracking and frame interpolation to create seamless transitions — no need to cut away to B-roll.
Your assets, available anywhere:
Access your Looks and graphics, including Adobe Stock assets, via Creative Cloud Libraries that are available in Premiere Pro, After Effects and other Creative Cloud desktop and mobile apps. Share assets between projects, among team members and across Adobe applications — anywhere you are.
Take your Premiere Clip projects further:
Easily convert and open the projects you create in the Premiere Clip mobile app. All edits, music cues and Looks appear directly in the Premiere Pro Timeline.
Automatically adjust video duration:
Easily adjust the length of your video for specific delivery requirements. Time Tuner in the included Adobe Media Encoder automatically adds or removes frames at scene changes, during quiet audio passages and in sections with still images or low visual activity.
Save time with task-oriented workspaces:
Toggle between workspaces that are optimized to help you manage toolsets for the task at hand — or create your own custom versions. Switch workspaces on touch-based devices with a tap of the finger.
Superior responsiveness on external displays:
Improved Adobe Mercury Transmit performance boosts responsiveness and playback reliability on external, high-resolution displays.
Easily turn closed captions into subtitles:
Burn in your closed captions as subtitles using the included Adobe Media Encoder.
Get support for more native formats:
Get native support for Canon XF-AVC and Panasonic 4K_HS formats. Premiere Pro leads the industry in native format support.
A more touch-friendly editing experience:
Editors with hybrid devices can now move clips in the Timeline, scrub the playhead and manipulate color parameters directly by touching the screen.
Audio workflows made easier:
Work more efficiently thanks to a faster voiceover recording configuration, easier audio channel mapping, improved multichannel export, the ability to send video to Adobe Audition CC via Dynamic Link and a more consistent hardware setup.
And so much more:
Also includes: A new composite preview you can access while trimming; simple shortcuts like the ability to adjust hot text values up or down with the arrow keys; new AAF video mix-down; significantly improved AAF export functionality; and more.
Improvements:
New native formats are supported: JPEG 2000 MXF Op1a, Panasonic 4K 444, Canon XF-AVC Model A, DNxHD with compressed alpha, and Dolby 5.1 export
Looks applied in Premiere Clip now pass through to Premiere Pro (requires latest version of Premiere Clip)
A composite view is shown in the 2-up display in the Program Monitor when drag-trimming an edit point in the timeline
A Video Mixdown option is available when exporting AAF
The anchor point can be dragged in Direct Manipulation
Consolidate and Transcode now supports handle durations of up to 999 frames
Fielded footage can be monitored over HDMI
Trim and Nudge can use the same keyboard shortcut
ProRes media performance has been improved by up to 2x on Mac
A ‘Hide’ checkbox has been added to the Project Panel, and a ‘View Hidden’ option to the contextual menu in the Project Panel, so that users can have items in sequences which are not visible in the Project Panel by default
A ‘Preserve Alpha’ checkbox has been added to Consolidate and Transcode
Support for RED DEB, REDcolor4 and DRAGONcolor2 has been added
Up and down cursor arrows can be used to adjust numerical parameters
The maximum sequence size is now 16K
The Project Panel can be sorted by XMP metadata
Input only devices can be used on the Mac without needing to create an aggregate device
Source Settings for RAW formats now appear as intrinsic Master Clip Effects, and Source Settings can be applied to multiple selected clips in the Project Panel
Master Clip Effects can be removed from the Project Panel
4-point editing has been improved by enabling Ignore Source Out
Clip Markers are still displayed in the timeline for tracks set to minimum height
In loop playback Trim mode in the program monitor, the I and O buttons can be used to adjust the position of the edit point on the fly
Keyboard shortcuts can be assigned to Play Audio In to Out and Play Video In to Out
A Revert Trim Session button can be added to the Program Monitor to enable an edit point to be returned to its original position before Trim Mode was entered
The transition UI has been restored in the Effects Control Panel
An eyedropper tool is available in the Color Matte dialog
Improved support for discontinuous timecode in Multicam workflows
Subsequences can be created from parts of a sequence

New in Adobe Premiere Pro CC 2014.2 (Dec 17, 2014)

Removal of Speech Analysis:
Starting with the December 2014 release of Premiere Pro CC, the Speech-to-Text feature or Speech Analysis functionality is removed from Premiere Pro CC.
You can, however, continue to view the speech-to-text metadata for any clips that were previously analyzed using earlier versions of Premiere Pro CC.
OTHER ENHANCEMENTS:
Updates to Preferences:
When you add still images, or audio, video transitions, you can assign a default duration to it. Premiere Pro now lets you specify the default duration either as number of frames or time in seconds.
Select the General category in the Preferences dialog to set these preferences.
Improved scrubbing and shuttling in long GOP MXF files:
When you scrub long GOP footage manually at speeds faster than 1x, or use J-K-L scrubbing at 8x, 16x, or 32x speeds, the sequence of frames are displayed at a smoother rate.
Support for ARRI Open Gate media
Premiere Pro now supports importing ARRI Open Gate clips like any other clips.
FIXED ISSUES:
XDCAM HD proxy files appear with red frames
Crash using ripple trim on a grouped clip
Missing clips after Consolidating and Transcoding overlapping subclips
Crash when pressing Setup button of a AE-style transition
Comment Markers added to a merged clip get added to constituent clips, but the Name & Comments are not saved
Stop playback command ignored when editing or playing a multicam sequence
Crash exiting Direct Manipulation mode in Program monitor
Duplicate clips are missing from resulting project after Consolidate and Transcode
Crash when exporting AAF from a sequence containing clips opacity and scaling
GoPro 2.7K footage cannot be smart rendered when height is not evenly divisible by 8
Crash when exporting AAF with disabled clips that have cross fades applied
Turning on audio waveforms makes sequence unresponsive
Audio drop out during loop playback
MXF Media with Posterize Time Effect will not render
Audio dropouts during shuttling
Audio drops out while playing out to tape
Consolidate and Transcode with a custom P2 preset does not work correctly
Multiple accelerator files are generated on a network shared media cache location
Switching between projects that use the same workspace, all open Project panels get reset to root
Audio pops and surges during an audio transition
Export AAF with 24 bit embed option creates distorted audio files
Corrupt frames when rendering Sapphire effects and transitions
Crash on launch if OS X update has changed permissions for certain folders to Read-Only

New in Adobe Premiere Pro CC 8.1.0 (Oct 6, 2014)

Updated user interface with HiDPI support
Powerful search enhancements
Enhanced media management
GoPro CineForm codec support
Masking and Tracking refinements
Improved Master Clip effects
Editing experience enhancements
Changes to keyboard shortcuts
OTHER ENHANCEMENTS:
GPU-based debayering for several raw file formats:
Premiere Pro now offers GPU-based debayering for AJA RAW, Canon RAW, and Phantom Cine, as well as RED and Cinema DNG footage.
These raw clips can use the GPU (OpenCL and CUDA) for an improved and faster playback performance. For Phantom Cine files, Premiere Pro also applies white balance, color matrix, gamma, and gain using the camera values stored in the video file.
Improved AAF export to DAWs:
Premiere Pro now provides an improved AAF exporter that facilitates smoother workflows between Premiere Pro and DAW (Digital Audio Workstation) systems.
Support for iXML audio workflows:
Premiere Pro supports reading and modifying audio files with iXML metadata.
iXML metadata is typically captured by audio recording devices or on-location audio recording software such as Metacorder for Mac. An important feature of iXML metadata is the ability to select and mark the best takes, and record on-set notes.
Many other features designed to further streamline your editing workflow and let you work faster and more productively:
4 font size choices for the Project Panel list view
A new metadata column has been added to the Project panel for Field info
Preference for label colors and clip names to update all instances and stay in sync
Sequence timecode can be displayed in the Program Monitor overlay
Audio timecode can be shown in the overlay for multicam clips
1 audio channel layouts adhere to ITU-R BR.1384
Preference to display the end of sequence indicator
Preference to write markers to the project file or media files
‘Discrete’ multichannel QuickTime exports
“Send To Audition” rendered files are now stored next to the originals
Alignment options were added to the Clip Name effect
Scaling beyond 600% is supported
The Timeline In/Out range now uses shading to indicate track targeting
16-channel AS11 outputs are supported
Keyboard shortcut to join all through-edits in a sequence
Marker colors are now assignable
iXML is supported from audio location recorders
Source Settings are available for Blackmagic CinemaDNG media
The Timecode effect now displays all source clip timecodes in Multicam Source Sequences
Improved OMF export
The Effect Control Panel remembers which parameters were expanded on subsequent use
Exposed “Copy to Clipboard” in Keyboard Shortcuts dialog
Export Frame default file name now includes the frame number of the original clip it came from
Multiple sequence markers can be selected and moved together
XMP metadata is now supported for all media file types
Multiple mask control point selection
Bezier pen tool for drawing irregular mask shapes
Direct manipulation control on mask outlines for feathered edges

New in Adobe Premiere Pro CC 8.0.1 (Oct 6, 2014)

Bug Fixes:
‘Async’ asserts could occur when exporting some file types
Incorrect angles could be shown when separate multicam clips were created with different sort order
Waveforms could be improperly drawn when nesting a multicam source sequence
Effects could fail to render within effect mask boundaries
Garbage could appear around the edge of a layer that had a blur video effect applied and a mask on Opacity
Masks could offset Gaussian Blur in CUDA mode
Attempting to move a column to the left of the Name column in the Project panel could break cell selection
Occasional instance where sequences could never finished rendering
Relinking to spanned MXF clips could be incorrect
UI responsiveness could reduce in large projects after relinking
Exporting merged clips could generate silent or missing audio
Importing sequences could sometimes fail
Incorrect timebases could be used on EDL export
Incorrect field display could occur when using Mercury Transmit with GPU acceleration
Audio presets were sometimes not working correctly if used with a different format container
Complex video assets could produce a blurry image every 1 second when encoded into H.264
Mask Expansion could not be rendered correctly during preview scrubbing on layers that were scaled to 50% or less
Applying a speed change to a multicam clip could cause the extended duration of the clip to play with no video
Merged clips that contain clips with sync offsets could display out of sync indicators when used in a sequence
Crashes could occur during export to QuickTime.
Masking and Tracking: Brightness & Contrast could be incorrectly displayed in an Adjustment Layer
File import failures could occur when no assets were selected in the Locate Media dialog
Asserts and crashes could occur when exporting project to OMF
Crashes could occur when rendering audio with a locked submix track
Submixes could sometimes lose audio
Noise could be heard in submixes with empty tracks
Source monitor timecode and program monitor overlay could be off from one another in multicam sequences
Audio overlays for Multicam and nested sequences would only display as audio time units.
24p/50p XDCAM EX files were sometimes 1 frame short when smart rendered
MPEG2 TS files with 6 tracks of stereo audio could only play/show first stereo track when imported in to PPro
Playing IMX 50 clip could freeze video
Locking all Audio Tracks could cause the system to slow down dramatically
Editing Enhancements:
A Codec column was added to the Project Panel
Sequence Timecode was added as a display option in the Monitor Overlays
Clip name and Timecode filters can now be set to reference and display information for clips on specified source tracks.

New in Adobe Premiere Pro CC 8.0.0 Build 169 (Jun 19, 2014)

After Effects workflows within Premiere Pro;
You can leverage the power of After Effects text templates and Masking and Tracking workflows directly within Premiere Pro.
Masking and Tracking
Masks let you target specific areas in a clip to which you want to apply effects or color corrections. You can define a specific area in an image that you want to blur, cover, or highlight.
Live Text templates
Live Text templates let you edit textual content in animated titles and lower-third graphics quickly and easily.
Master Clip Effects:
When you apply effects to a master clip in Premiere Pro, the effects automatically ripple down to all portions of the master clips used in sequences.
When you apply an effect or a LUT to a master clip, the effect or color change is automatically applied to each instance of the master clip edited into a sequence. In addition, any subsequent adjustments you make to the effect also automatically ripple through to all sequence clips.
You can apply effects to a master clip by dragging an effect from the Effects panel to the master clip. To view or adjust the master clip effect from a sequence clip, use the Match Frame feature to load the master clip for that sequence into the Source monitor. Then, adjust any applied effects from the Effects Control panel.
Support for fonts from Typekit:
You can choose from thousands of fonts from Typekit available within Premiere Pro.
Sync settings and file management:
Auto-save projects to Creative Cloud
Your Adobe Creative Cloud account comes with online storage that make your files available to you anywhere and on any device or computer.
Premiere Pro lets you auto-save your projects directly to your Creative Cloud-based storage, letting you save backups of your projects to a secure and accessible storage environment.
Migration of Sync Settings with version upgrade
Each major version of Premiere Pro CC has its own copy of settings files. For example, Premiere Pro CC 7.x uses a "7.0" directory to store the settings file while the 2014 version of Premiere Pro CC uses a "8.0" directory.
When you upgrade to the 2014 version from a 7.x version of Premiere Pro CC, your sync settings are migrated automatically to the new version.
Editing experience enhancements:
Reverse match frame
You can find a frame loaded in the Source monitor and match it in the Timeline using the Reverse Match Frame command.
Double-click sequence clip to load Source monitor with matching frame
Double-click a sequence clip in the Timeline to load that clip in the Source monitor with the matching frame to where the playhead is placed over the Timeline.
Manually sync offsets
You can fix out-of-sync clips by manually moving tracks in the Timeline. When you drag the synced clip back into the Project panel, a new project item is created. The new project item retains the applied offset, so that the sync is already applied the next time you use the new clip.
Assign multiple keyboard shortcuts to a command
You can assign multiple keyboard shortcuts for a single command.
Set To Frame Size command
Use the Set To Frame Size command to scale an image to the sequence frame size without rasterizing the image. When you use this command, the native pixel resolution is preserved, letting you see the sharpest resolution when you zoom in on an image.
Transparent background grid
The Source and Program Monitors can display a checkerboard grid that identifies transparency in a layer.
The checkerboard pattern appears behind the video’s alpha channel, or if a clip is scaled smaller than the frame size.
To show or hide the transparency grid, click the Wrench icon to open the monitor's Settings menu, and select Transparency Grid.
Export command added to Project panel's context menu
In the Project panel, you can export a clip by using the context menu command. Ctrl-click (Mac) the clip to export and select Export Media from the context menu. This command is in addition to the File > Export > Media command.
Turn off FX badges
FX Badges now appear to the left of a clip in the Timeline, and can be turned off if necessary.
Preference to specify number of frames to move playhead
Premiere Pro now provides a preference that lets you control the number of frames to move. In the Preferences dialog, select the Playback pane, and enter the number of frames for Step Forward/Back Many.
Track Selection Backward tool
Premiere Pro provides a Track Selection Backward Tool, available from the Tools panel. Use this tool to select all the clips to the left of the cursor in a sequence.
Adding Marker names
You can specify a name for a marker directly in the Markers panel or in the Marker dialog.
Enhanced media management:
Flexibility in importing projects
Premiere Pro CC provides you greater flexibility around how media is referenced when importing a project. You can choose to place the imported project in a new directory or allow importing duplicate media.
Bin structure preserved on folder import
When you import folders containing subfolders into your project, Premiere Pro creates bins and organizes the files in the same hierarchy as on your hard disk.
Make sequences offline
You can now quickly make sequences go offline by using the Make Offline context menu command. In the Timeline or Project Panel, Ctrl-click (Mac) the sequence that you want to make offline, and select Make Offline from the context menu.
Support for browsing After Effects projects in the Media Browser
You can now use the Media Browser to browse After Effects projects. You can also preview effects compositions in an After Effects project using the Media Browser.
Media Browser favorites
You can quickly add your favorite or most often used folder to your favorites list in the Media Browser. In the Media Browser, right-click the folder that you want to add, and select Add to Favorites.
Audio-related enhancements:
Maintain audio pitch during scrubbing and playback
Premiere Pro provides a new preference that lets you maintain the audio pitch during scrubbing and playback while using the J,K,L keys.
Voice-over recording enhancements
You can now access voice-over record settings directly from the Timeline by selecting Voice-Over Record Settings from the context menu.
Cross-platform support for video effects and transitions
To provide consistent support for effects and transitions across platforms, Premiere Pro supports the same effects and transitions on both Windows and Mac platforms.
Enhanced graphic performance and native format support:
RED GPU debayering
RED format clips now use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance.
Support for Intel Iris
Premiere Pro supports Intel Iris architectures for Mercury OpenCL processing.
Powerful new workflow for ARRI AMIRA camera
Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.
Enhanced support for CinemaDNG
Premiere Pro provides enhanced support for CinemaDNG including Blackmagic Pocket Cinema Camera, and Convergent Design Odyssey7Q.
New delivery formats:
Premiere Pro now supports export to industry-standard AS11 for broadcast, and certain types of Quvis Wraptor Digital Cinema Package (DCP). When exporting to both these formats, the associated metadata is included.
In addition, Premiere Pro can also export stereo audio to Dolby Digital and Dolby Digital Plus formats.
Other enhancements:
New progress bar display
To view progress when rendering files, a new progress bar is displayed over the Premiere Pro icon on the Mac OS X dock.
Presets to remove GoPro camera lens distortion
To remove the distortion created from GoPro camera's wide angle lenses, Premiere Pro provides presets that use the Lens Distortion video effect.
Preserve effects when flattening multi-camera sequences
Premiere Pro lets you flatten a multi-camera sequence while preserving any intrinsic or non-intrinsic effects applied to the multiple source clips.
Enhancements to transitions
Cross Dissolve transition can be saved as a preset
Ability to select multiple transitions at once and change durations simultaneously
Optimized metadata
Premiere Pro has optimized metadata for improved performance during indexing, searching, and sorting.
Closed captioning changes
In previous versions, when exporting captions, you encoded the accompanying video or audio. You can now directly export .scc, .mcc, .xml, or .stl sidecar files without having to encode the media.
Faster searching and sorting in Project Panel
You can now search and sort assets in the Project panel noticeably faster than before.
Improved workflows and performance
Improved Red Giant Pluraleyes workflows
Issues with AAF export resolved
Ability to use Sound Roll and Sound Timecode in EDL export
Improved scratch-disk workflows when moving assets between platforms, and when an earlier scratch disk location is offline
Improved AVCi growing files performance
Mosaic effect is now GPU optimized
New and changed keyboard shortcuts:
You can set default shortcuts for the following commands in the Keyboard Shortcuts dialog.
Add Fonts From Typekit
Browse Add-ons
Captions
Lock/Unlock All Audio Tracks
Lock/Unlock All Video Tracks
Nudge Volume +1dB
Nudge Volume +3dB
Nudge Volume -1dB
Nudge Volume -3dB
Toggle Maintain Pitch During Shuttling
Toggle Transparency Grid
Track Select Backward Tool

New in Adobe Premiere Pro CC 7.2.2.33 (Apr 8, 2014)

Audio could drop out during playback.
Red frames were sometimes seen on export, particularly with XDCAM HD 422 smart rendered exports.
Older AMD GPUs were showing performance degradation, sometimes significant.
Erratic playhead behavior was observed when scrubbing in the Timeline in Mac OS X 10.9.x.
Rendering a sequence could cause red frames to be generated with XDCAM HD 50 clips with Preview Rendering Setting of XDCAM HD 50 NTSC 1920×1080.
XDCAM HD 422 QT files were sometimes not decoding properly.
Performance issues were seen when working with growing files.
The Locate Media dialog could not open with the correct location even though the “Path:” field started with a valid initial guess for location.
Transitions on speed-changed multicam clips were removed when flattening.
Multi-camera previewing could go black in Program Monitor when the selected camera did not extend to the current playhead position.
Timeline clips’ FX badge popup menu (Motion, Opacity, Time Remapping) could be difficult to open.
Multicam Sequences could move in the timeline when flattened if they had speed changes applied.
Source settings were not accessible from a Merged clip created from a R3D / RED video clip.
Smart rendering Canon XF files could result in stalls during the export
Transitions were erased from multi-camera sequences after flattening.
Some growing XDCAM files could play back with unwanted artifacts.
The order of effects applied to a multi-camera source sequence could reverse after flattening.
The display could go to energy saving mode during long periods of playback.
Spanned CanonXF media on an XSAN could import incorrectly.
Duplicate bins were created for each sequence imported from a single project.
Project import could take a long time if the project being imported contained offline media.
Occasional hangs occurred when adjusting volume in the Clip Mixer.
Marque selection in the Project Panel sometimes selected items in the incorrect order.
Double-clicking in the Project Panel when in list view could invoke the Import dialog unexpectedly.
Audio from P2 media could import incorrectly.
Export To Tape could exhibit issues if a file was growing at the same time.
Red Rocket failures could sometimes occur with 16:9 media.

New in Adobe Premiere Pro CC 7.2.1.4 (Apr 8, 2014)

New in Adobe Premiere Pro CC 7.2.0.46 (Dec 13, 2013)

EDITING FINESSE ENHANCEMENTS:
Descriptive text in empty Project panel or Timeline panel:
When the Project panel is empty, Premiere Pro shows descriptive text that says "Import Media To Start".
When the Timeline panel is empty, Premiere Pro displays the text "Drop Media Here To Create Sequence".
When you drag-and-drop any files to the Project panel or Timeline panel, or import files into the Project panel, the text disappears.
Auto-save enhancements:
When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file.
The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-save if you manually saved within the interval setting.
If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save.
Create sequence by dragging clip to Timeline:
You can quickly create a sequence by dragging media and dropping it to the empty Timeline window. Premiere pro creates a new sequence from the media file that you dragged to the Timeline.
Export markers as a list:
Premiere Pro lets you export markers from a single media asset or sequence to a CSV or HTML file. The Export Markers feature works with the asset whose markers are loaded in the Markers panel.
Duplicate frame marker enhancements:
Premiere Pro now displays duplicate frame markers for media created from the same file, or from files with identical timecode and tape name metadata.
Add a clip marker based on clip selection:
You no longer use multiple keyboard shortcuts to set a clip marker on a selected clip. You simply select the clip in the Timeline and press the M keyboard shortcut. A clip marker is applied to the selected clip.
Use Ripple-Delete command for In/Out range:
When you select a clip, a gap, or an In/Out range, and use the Ripple-Delete command, the selected clip, gap, or In/Out range is ripple-deleted.
Warning to prevent project overwriting:
When you work on Premiere Pro projects stored on a network drive, a warning dialog protects you from overwriting someone else's changes.
Say, you open a project from a network drive and make changes, and a second person opens the same project and makes changes. Then, a warning appears when trying to save the project.
In the warning dialog, click OK to overwrite changes to the project on the network, or click Cancel to save a copy of the project.
IMPROVED MEDIA MANAGEMENT:
Open multiple Media Browser panels:
To easily access multiple projects and media locations, Premiere Pro lets you open multiple Media Browser panels simultaneously.
Select New Media Browser Panel from the Media Browser's context menu.
Bypass automatic relinking of offline media:
Premiere Pro automatically finds and links offline media where possible. However, there are times, when you want to quickly open a project without automatically relinking the offline media. Premiere Pro now lets you do that by providing a Cancel button in the Progress dialog. When you click Cancel, Premiere Pro bypasses the automatic relinking workflow, and opens the Link And Locate dialog only if it detects offline clips.
Create a new Premiere Pro project from a sequence:
You can now create a Premiere Pro project from a selected clip sequence.
Note: When Premiere Pro creates the new project, the required project files are copied to the specified directory without moving the source files. Any media not associated with the sequence is excluded from the new project.
MULTI-CAMERA WORKFLOW ENHANCEMENTS:
Single source multi-camera sequence shows full-frame clip:
When there is only a single video stream in a multi-camera source sequence, the Source monitor displays that video clip as a full-frame clip. Earlier, the clip would be displayed in a quarter frame; that is, a single angle displayed in the multi-camera 2 x 2 grid.
Show multi-camera clip names in Timeline:
The multi-camera source sequence clips in the Timeline display the source clip names. This feature helps you quickly determine which camera angle is switched to the output.
The source clip names are appended to the multi-camera source sequence name. For example, [MC1] Camera 1.mov, [MC2] Camera 2.mov.
Sequence Preset option for switch audio:
Earlier, sequence presets could be used only in Custom Sequence settings. That restriction is now removed. You can now select a custom or a previously saved sequence preset for camera 1, all cameras, or switch audio.
AUDIO ENHANCEMENTS:
New voice-over recording workflow:
Premiere Pro now lets you set up and record voiceovers on audio tracks directly from the Timeline, without using the Audio Track Mixer workflow.
Display the Voice-over Record button:
The voice-over Record button lets you record a voice-over directly from the Timeline on to an audio track.
Start the voice-over recording workflow:
Start a voice-over recording workflow by doing one of the following: mark a specific In/Out range to insert the audio recording, or position the playhead at the starting point of inserting the voice-over
Display pre-roll countdown:
As soon as you mark the In/Out range or position the playhead, the voice-over recording workflow starts. A pre-roll countdown appears as an overlay on the Program Monitor.
The pre-roll countdown is a visual cue to give you time to prepare and begin the recording. Recording begins after the countdown reaches zero. You can specify the duration of the pre-roll countdown in the Preferences dialog.
Begin recording:
Click in the audio track's header to begin recording. A status message "Recording..." appears in the Program Monitor to indicate that recording is on.
When using a predefined In/Out range, you don't have to click the Voice-over Record button . Recording automatically starts when the playhead reaches the In point in the Timeline.
Finish Recording:
When using a predefined In/Out range, recording ends when the playhead reaches the Out point in the Timeline. The status message on the Program Monitor then changes to "Finishing...". If you are not using a predefined In/Out range, stop the recording manually by clicking the Voice-over Record button again, or by pressing the Spacebar key.
Once recording is complete, an audio file of the recording is created. The audio file is imported as a new project item into the Project panel.
PERFORMANCE ENHANCEMENTS:
This release of Premiere Pro CC further leverages the power of third-party GPUs to increase speed of work with high-resolution formats:
OpenCL performance is faster and more stable than before
Performance improvements for UltraHD
SUPPORT FOR NEW GRAPHICS CARDS:
Premiere Pro now supports the following NVIDIA graphics cards:
Windows:
Quadro K1100
GeForce GTX Titan
Mac:
GeForce GT 750M
For the complete list of supported graphics cards, see the Tech Specs (http://www.adobe.com/in/products/premiere/tech-specs.html)
OTHER CHANGES:
Premiere Pro now uses the MXF Importer for importing P2 and Canon XF files
You can natively import AVCI-100 .mov files and smart render the files to MXF-wrapped AVCI-100 files
When using third-party transmit tools for SDI display, Premiere Pro ensures that the audio and video are in sync at all times
Improved playback performance for Sony XAVC 60p media

New in Adobe Premiere Pro CC 7.1.0.141 (Nov 2, 2013)

New in Adobe Premiere Pro CC 7.0.1 (Jul 12, 2013)

New in Adobe Premiere Pro CC 7.0 (Jun 18, 2013)

New in Adobe Premiere Pro CS6 6.0.2 (Sep 7, 2012)

updates for HiDPI display, which improves appearance on computers that use Retina Display, such as MacBook Pro computers
added GPUs to the list of those that Premiere Pro CS6 will use for GPU processing: GT 650M (which is in the newer MacBook Pro computers) and GTX 680 Note: Premiere Pro can use either OpenCL or CUDA for GPU processing on the GT 650M. The default is to use OpenCL. You can change this in the General project settings. For details of GPU acceleration in Premiere Pro, see this page. For details of OpenCL features in Premiere Pro CS6, see this page.
Notable bugs fixed in this update:
tearing in image when using XDCAM EX footage
numeric keypad keys couldn’t be assigned to keyboard shortcuts
audio deleted when enabling Audio Follows Video without enabling multicam for audio track
color shift introduced by Three-Way Color Corrector at default settings when GPU acceleration turned off
color shifts in some imported M2TS assets
Premiere Pro ignored Command+Option+H command to hide applications on Mac OSX
Auto-save window appearing over other applications when Premiere Pro was in the background
crash during auto-save if a third-party effect’s modal dialog box was open on Mac OSX (affects CoreMelt, etc.)
rendering preview files using OpenCL caused dropped frames in some cases
rendered preview files not used when restarting Premiere Pro in some cases, including when using certain third-party effects
when using CUDA on Mac OSX to export a sequence consisting of a very large number of still images (e.g., timelapse), GPU memory could become depleted and output frames corrupted
audio recorded through Audio Mixer (e.g., voice-over recording) appearing incorrectly as duplicated audio
channel output mapping for adaptive tracks was reset to default settings for duplicated sequences
audio waveform displayed incorrectly for clips with speed adjustments
audio playback for multichannel files too quiet in some circumstances
markers added during peak file generation not saved if Premiere Pro quit before peak file generation completed
fixes for QuickTime groiwng files
some 4:2:2 footage appeared jagged or pixelated in Program Monitor or Source Monitor when no effects applied
some MXF files going offline, requiring relinking
relinking to AVCHD media on Mountain Lion (Mac OSX v10.8) not possible for projects created on other operating systems
automatic relinking of footage occurring incorrectly in some cases
frames imported out of order for some MPEG assets
changes to timeline clip channel mapping performed using the context menu for the clip in the Timeline panel Audio were not saved with the project
Audition opened when choosing Reveal Project In Explorer from context menu for a clip in Premiere Pro Project panel
multicam source sequences in Source Monitor lost A/V synch when an In point was created
setting an In point in the Source Monitor created an In point for all clips in the Media Browser directory
thumbnails not appearing for some XDCAM HD items in Project panel and Timeline panel
deleting a nested sequence not providing a warning
layers not correctly counted in PSD file (Photoshop document) if layers contained in groups
importing a QuickTime file created by the FORK media system also imported the disabled proxy track
QT32Server failing in some circumstances, disabling ability to use some QuickTime features
some exported AVC-I files didn’t include appropriate drop-frame timecode information, so appeared with non-drop-frame timecode
closed captioning metadata was being set incorrectly
many other fixes in Mercury Transmit and in plug-in SDK, fixing issues with AJA, BlackMagic, Matrox, and other third-party I/O systems for video monitoring, tape capture, and exporting to tape
various fixes to FCP XML import and export
crash when removing some effects using Remove Effects command
crash during OMF export in some circumstances
crash on Mac OSX when computer wakes from sleep
various fixes for other crashes
various performance and stability improvements for CUDA and OpenCL processing

New in Adobe Premiere Pro CS6 6.0.1 (May 26, 2012)

Features added or changed in this update:
Improved performance using OpenCL, especially when used on Mac OSX v10.7.4 or later.
Added encoding presets with additional bit-rate settings for XDCAM HD.
Added Automatic Peak File Generation preference in the Audio category for turning off automatic peak file generation for imported audio. By default, this preference is enabled and matches the behavior of Premiere Pro CS6 (6.0.0). When this preference is disabled, importing audio or opening projects will not cause peak files to be generated. If peak files were already generated, then waveforms will be visible. Files imported before the preference was disabled will continue to generate peak files.
Enabled “smart rendering” and added Enable Smart Rendering Codec setting to the Video tab of the MXF OP1a exporters for XDCAM HD and XDCAM EX to enable or disable smart rendering for these formats. This option defaults to the off/disabled state. We’ll have more information about this feature in a post on this blog within a day.
Bugs fixed in this update:
Start timecode was not imported or exported correctly when working with AAF files.
Some files from the Canon 5D Mark III camera were imported with the wrong timecode.
Playing/viewing waveforms in the Source Monitor caused audio dropouts with some XDCAM HD clips.
NTSC MXF OP1a files that were exported with drop-frame timecode had video data that was tagged as non-drop-frame.
Switching the Renderer project setting from Mercury Playback Engine Software Only to Mercury Playback Acceleration GPU Acceleration on a computer using OpenCL caused Premiere Pro to crash under some circumstances. Switching between the two settings on a computer using CUDA would in some cases cause problems with video and/or audio playback.
Crash when using full-screen, cinema mode on some computer systems.
Tape capture was not working correctly with some third-party systems.
Crash when capturing from tape using some BlackMagic hardware.
An extra, black frame was included at the end of the output when exporting to P2 MXF in some circumstances.
First two frames were being played twice on external monitor using Matrox MXO2.
Crash when using “hover scrub” with Matrox MXO2.
Audio/video synchronization was off by a few frames when playing video on external monitor.
The Export Frame button was not exporting the correct frame, instead exporting a frame one or two frames away from the current frame.
Some audio files and some MXF files would go offline or have their audio reconformed when the project was re-opened or when Premiere Pro was minimized or lost focus.
Crash when modifying an effect property while playback was occurring.
Hang/freeze when using a dissolve transition on an adjustment layer.
Dropped frames and audio/video synchronization issues when exporting to tape using some third-party hardware.
Information about dropped frames on output to tape was not accessible to third-party systems.
Some QuickTime files were imported with the wrong field order.
When audio was sent through a Mercury Transmit plug-in, any number of channels that was not 2 or 6 was treated as mono.
In HDV editing mode, File > Export > Tape could not be used with third-party hardware.
The current-time indicator (playhead) was not returning to the current time after using the Play Around command.
Last several frames of output when exporting to tape were black.
When encoding a 23.976 fps video to H.264, the duration of the video in the output .m4v file was too short, and audio drifted out of synchronization with the video.
Transparency (alpha channel) information from a dynamically linked After Effects composition was rendered incorrectly in Premiere Pro.
Importing some QuickTime OP1a files caused Premiere Pro to hang.
The duration of the audio track sent to SpeedGrade using the Send To SpeedGrade command was the length of the entire Premiere Pro sequence, not the length of the work area.
Timecode written to trimmed clips using the Project Manager did not match the source timecode for some QuickTime files.
Various other crashes.

New in Adobe Premiere Pro CS6 6.0.0 (May 7, 2012)

Redesigned, customizable user interface:
New default workspace:
Premiere Pro CS6 has a new default editing workspace with larger Source and Program monitors (a configuration referred to as "2-up"). This view allows you to view high-definition video much more easily in this workspace.
To return to the standard editing workspace found in Premiere Pro CS5.5 and earlier, choose Window > Workspace > Editing (CS5.5).
Redesigned Source and Program Monitors:
The Source and Program monitors have been redesigned to be more customizable.
Customizable button bar.
Timecode numbers can be toggled on or off (also available in the Timeline).
Pop-up menu for direct access to playback resolution.
Setting button for easier access to monitor settings.
Redesigned Project panel:
The Project Panel has been redesigned with these features:
Resizable clip thumbnails.
Clip thumbnails maximized to use space more efficiently.
In thumbnail view, scrub clips by dragging the mouse across a thumbnail. This technique is called "hover scrubbing".
In thumbnail view, clips can be selected and scrubbed with the Clip Playhead, or by using the JKL and Spacebar keyboard shortcuts.
Mark In and Out points on clips as you are scrubbing, or on the fly as you are playing back by using the JKL and Spacebar keyboard shortcuts.
A usage icon can be used to navigate to clips in sequences.
Timecode panel:
A panel that displays oversized timecode, and feet+frames is now available in Premiere Pro CS6.
To view the Timecode panel, choose Window > Timecode.
Primary edit display in Cinema mode:
Put either the Program monitor or the Source monitor into full-screen, “cinema” mode on your system’s primary display.
To toggle Cinema mode on and off, press the Ctrl key and the Accent key, and then click either the Source monitor or Program monitor. Press the keyboard shortcuts once more to return to the interface.
Dropped Frame indicator:
Both the Source and the Program monitor now have the option to display an icon that indicates if frames are being dropped during playback.
Trackpad gesture support for Mac OS:
Use trackpad gestures to navigate the Timeline and other panels in Premiere Pro using the MacBook Pro's trackpad or the Apple Magic Trackpad.
Editing workflow improvements:
Mercury Playback Engine improvements:
The Adobe Mercury Transmit feature enables third-party capture cards to plug directly in to the performance of the Mercury Playback Engine. The feature gives you access to CUDA acceleration and enhanced support for SDI I/O and professional broadcast monitoring.
New support for the OpenCL-based AMD Radeon HD 6750M, and 6770 graphics cards makes the Mercury Playback Engine (Hardware) available on certain Apple MacBook Pro computers.
More CUDA-based video cards are approved for the Mercury Playback Engine. For an up-to-date list of supported cards, see: www.adobe.com/go/64bitsupport
Efficient ingest and logging with Adobe Prelude:
Ingest clips using Adobe Prelude. Then log clips and create subclips, markers, In and Out points, searchable notes, metadata, and rough cuts. You can bring the data from the Prelude project right into Premiere Pro.
Note: Adobe Prelude is a separate application.
Multicam improvements:
You can now use more than four camera angles in multicam editing. You are limited in number of angles only by the power of your computer. It's also easier to create multicam sequences.
There are powerful new options for quickly selecting and shifting edit points using the mouse, new keyboard shortcuts, or the numeric keypad. JKL dynamic trimming is supported, as well. The new Trim mode provides a two-up display showing the outgoing and incoming frames right inside the Program monitor.
To open Trim mode, double-click any edit point.
Continuous playback:
The Timeline transport now continues playback unless the user specifically issues a Stop command. This feature supports real-time adjustment of common editing actions.
New functionality for clip markers:
Clip markers have been improved with color labels and the ability to span a duration of time. Functionality previously available only in sequence markers is now available in clip markers. Customize markers in the redesigned Marker dialog box. View all of your clip markers in the new Markers panel.
Improved Adobe Dynamic Link:
Improved Dynamic Link, including performance enhancements, and removal of the limitation of Dynamic Link to only work within a suite (for example, Dynamic Link will now work between CS6 applications purchased as individual products).
Audio workflow improvements:
Redesigned Audio Mixer:
The Audio Mixer panel has been redesigned to include the following features.
Select between two visual metering modes.
Double-click a fader to return it to 0dB.
Separate dB scales for the meters and faders.
A context menu for meter options in the panel menu.
Redesigned Audio Meter panel:
The Audio Meter panel has been redesigned to be more accurate, customizable, and easier to use. The Audio Meter panel offers these features:
Meters auto layout horizontally or vertically
Meters scale as needed
New Solo buttons for each channel
Audio Meter panel now meters the Source Monitor content
Several options for displaying audio
New audio track functionality:
Mono and stereo audio tracks are no longer separate. A new kind of audio track, called "Standard" can contain both stereo and mono clips.
Improved audio channel functionality in Source monitor:
In the Source monitor, you can now view clips with multiple audio channels, including grouped clips, or merged clips.
Use timecode from master audio in merged clips:
A new DSLR workflow allows you to use the timecode from an audio master clip to be used when you create a merged clip. You can also choose to omit the source camera audio when creating a merged clip.
Effects enhancements and workflow improvements:
Adjustment layers:
Adjustment layers, used in products like Photoshop and After Effects, are now available in Premiere Pro CS6. Adjustment layers are useful for many things, including greater control in color correction.
To add an adjustment layer to your project, select the Project panel and then choose File > New Adjustment Layer.
Warp Stabilizer effect:
Formerly available only in After Effects CS5.5 (and later), Warp Stabilizer is a CUDA accelerated effect that allows you to smooth out shaky, handheld footage.
Locate the effect in the Effects panel, Effects > Distort > Warp Stabilizer.
Rolling Shutter Repair effect:
Use the Rolling Shutter Repair effect for fixing clips with rolling shutter artifacts.
Locate the effect in the Effects panel, then choose Effects > Distort > Rolling Shutter Repair.
Redesigned 3-Way Color Corrector effect:
The 3-Way Color Corrector effect is more intuitive. Tools are easier to find and use.
The 3-Way Color Corrector is located in the Effects panel. Choose Effects > Color Correction > 3-Way Color Corrector.
Adobe SpeedGrade Color Correction:
Export sequences to Adobe SpeedGrade to professionally color-grade your work.
To export your sequence to SpeedGrade, select it in the Project panel, and then choose File > Send to Adobe SpeedGrade.